REVIEWS "The tone cuts through the mix even with orchestral instruments in play. This would be the first choice for a score that features a piano-based theme, as it confidently handles solo and ensemble applications." - David Coscina, FSM. How do we follow an act like Piano In Blue? We record a stunning 9' grand piano at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles. Our goal was to record a detailed piano library at the same scoring stage as our flagship CineSymphony libraries for seamless integration and to provide four distinct characters of the piano through a variety of microphone and mixing techniques. Tim Starnes on the recording process: "The recording for Piano In Blue worked so well, I returned to the vintage Neumann M49 microphone pair and its position that I used on PIB. The M49s were powered by a pair of Neve 1073 pre amps to imitate the Neve 8078 console that recorded PIB. Also as on PIB, I placed a pair of small capsule condenser microphones near the tail of the piano. In addition to the standard room array, Adam placed several other close microphone pairs to provide options for other characters. The four unique characters are derived from these various microphones and the mixing process that followed." 4 UNIQUE CHARACTERS CinePiano This is a standard representation of the grand piano on the scoring stage employing the M49s and the room array. The separate close, room, and surround microphone mixes are available on this patch. Classical The Classical mix is a slightly more distant mix employing a different combination of microphones and designed for concert realism. It is a very specific mix and thus the only available mix in this patch. Cinematic The Cinematic mix is a very intimate and muted sound, perfect for cinematic textures. This mix is made from a completely unique set of microphones and mixing techniques. It is a very specific mix and thus the only available mix in this patch. Rock Studio Grand The Rock Studio Grand relies more heavily on mixing techniques to achieve a brighter, punchy, edgy sound with a slight distortion on the attacks to cut through a heavy mix. It is a very specific mix and thus the only available mix in this patch. FEATURES The Perspective Fader CinePiano, like CineHarps, includes a new Perspective Mode feature that allows for changes through microphone positions. When you activate Perspective Mode, a slider appears that gives a smooth crossfade between the microphone perspectives. The slider is automatically mapped to the Mod Wheel, giving instant control of the relative depth of CinePiano. Pedal Behavior - Repedalling We added a new feature called Pedal Behavior to CinePiano. When you play a note on a real grand piano with the sustain pedal down, quickly releasing and depressing the sustain pedal does not allow the dampers enough time to stop the strings from vibrating completely. CinePiano effectively models this behavior for a much more lifelike performance. **Turning this feature to MIDI slightly reduces CPU usage.** Character The Character knob acts as a macro knob, controlling multiple parameters at once. This can be used to change the play style from intimate to aggressive and everything in-between. When set to intimate, the velocities are biased towards the lower dynamics, with a low dynamic range (see Dynamic Range Knob below). Soundboard The Soundboard feature emulates the sympathetic resonances of the soundboard and other strings. This effect is only active when the sustain pedal is down and can be turned off by pressing the power button. **Disabling this feature moderately reduces CPU usage.** Enable fff layer The Enable fff Layer button enables and disables the highest recorded dynamic. Dynamic Range The Dynamic Range knob acts a bit like a MIDI-controlled compressor. This knob doesn't impact the velocities, but instead changes the actual volume of each note. A low value reduces the volume difference between the softest and loudest dynamics, and a high value increases the difference. Round Robin Borrowing The RR Borrowing knob employs surrounding notes as additional round robins. A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 12 round robins per note. A value of zero only plays one round robin per dynamic level. Higher values result in more round robins and more tonal variation. The default value is 0. 钢琴钢琴是我们流行的钢琴在蓝色图书馆的现代后续。音乐会大钢琴在洛杉矶索尼影业工作室的米高梅计分舞台上手工取样, 我们应用了相同的录音和采样技术和许多相同的麦克风从钢琴在蓝色。CinePiano 有四个不同的音效, 将是您最多才多艺的钢琴库。西尼皮亚诺 评论 "即使在演奏管弦乐器时, 音色也会贯穿其中。这将是一个以钢琴为主题的分数的首选, 因为它自信地处理独奏和合奏应用。 我们如何跟随像钢琴在蓝色的行为？ 我们在洛杉矶索尼影业工作室的米高梅计分舞台上录制了一架令人叹为观止的9英寸大钢琴。 我们的目标是在与旗舰 Cinesym政p 库相同的评分阶段录制一个详细的钢琴库, 实现无缝集成, 并通过各种麦克风和混合技术提供钢琴的四个不同的字符。 蒂姆·斯塔内斯关于录音过程: "蓝调钢琴的录音效果非常好, 我回到了老式的 Neumann M49 麦克风对和它的位置, 我在 PIB 上使用。 M49 是由一对 Neve 1073 前安培供电, 以模仿 NEVE 8078 控制台记录 PIB。 也一样, 在 PIB 上, 我在钢琴的尾部附近放了一对小胶囊冷凝器麦克风。 除了标准室阵列外, Adam 还放置了其他几个关闭的麦克风对, 以提供其他字符的选项。这四个独特的字符来自这些不同的麦克风和随后的混合过程。 4独特的特点 西尼皮亚诺 这是使用 M49 和房间阵列的得分舞台上的大钢琴的标准表示。 此补丁上提供单独的关闭、空间和环绕麦克风混音。 古典古典组合是一个稍微远的组合采用麦克风的不同组合, 并为音乐会现实主义设计。 这是一个非常具体的组合, 因此在这个补丁中唯一可用的组合。 电影混合是一个非常亲密和柔和的声音, 完美的电影纹理。 这种混合是由一套完全独特的麦克风和混合技术制成的。 这是一个非常具体的组合, 因此在这个补丁中唯一可用的组合。 摇滚工作室大岩石工作室大酒店更严重地依赖于混合技术, 以实现更明亮, 辛辣, 前卫的声音与轻微的扭曲的攻击, 以削减通过一个沉重的混合。 这是一个非常具体的组合, 因此在这个补丁中唯一可用的组合。 特征 透视器 Cinepi安像 CineHarps 一样, 包括一个新的透视模式功能, 允许通过麦克风位置进行更改。 激活 "透视模式" 时, 会出现一个滑块, 在麦克风透视图相向之间呈现平滑的交叉淡入淡出。 滑块会自动映射到 Mod 轮, 从而即时控制 CinePiano 的相对深度。 踏板行为-加速 我们在 CinePiano 中添加了一个名为 "踏板行为" 的新功能。当你在一个真正的大钢琴上弹奏一个音符与维持踏板下降, 快速释放和郁闷的维持踏板不允许阻尼器足够的时间来阻止字符串完全振动。Cinepia 有效地模拟了这种行为, 以获得更逼真的表演。 * * 将此功能转向 MIDI 略微减少 CPU 使用率。 字符 字符旋钮作为一个宏旋钮, 一次控制多个参数。这可以用来改变游戏风格从亲密到侵略性和中间的一切。当设置为亲密时, 速度偏向于较低的动态, 动态范围较低 (请参阅下面的动态范围旋钮)。 音板 音板功能模拟音板和其他弦的交感神经。只有当支撑踏板关闭并可通过按下电源按钮关闭时, 此效果才处于活动状态。 * * 禁用此功能会适度降低 CPU 使用率。 启用 fff 层 "启用 fff 层" 按钮启用并禁用记录的最高动态。 动态范围 动态范围旋钮的作用有点像 midi 控制的压缩机。这个旋钮不会影响速度, 而是改变每个音符的实际体积。较低的值可减少最柔和和最响亮的动态之间的音量差异, 而较高的值可增加差异。 圆罗宾借用 RR 借用旋钮使用周围的音符作为额外的圆形知更鸟。6的值最多可产生 +/---------------------------------------------------------------------------------值为零只在每个动态级别播放一个循环。值越高, 越多的知更音, 色调变化也越多。默认值为0。 |
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