Every note has been carefully denoised with a high quality algorithm to avoid noise stacking when playing more than one note (there’s still some noise left in the samples to avoid denonising artifacts). Noise can still be added with the noise knob - it’s much more flexible this way and allows the ability to adjust the volume of the noise independently whilst also applying parameters such as filtering. It also creates a more realistic sound, so when playing a five voice chord, only one sample of noise instead of five stacked on top of each other will be heard. The GUI of the Kontakt version has been redesigned - it’s still very simple and clear, but it offers much more editing possibilities, including extended modulation section: - 2 independent LFOs with 5 shapes and 4 destinations each - AMPLITUDE envelope with velocity modulation - FILTER envelope with invert switch - PITCH envelope with invert switch and attack curve knob Another improvement is the use of impulse reverb with custom impulses (4 spring impulses, 4 hall impulses & 3 corridor impulses), along with a choice of whether you want it to be placed pre or post insert effects - same thing goes for the delay. In addition, there are also features you may already know from previous instruments in this series, such as the sample start knob (controlled with the GUI or Mod Wheel) which allows you to control initial transients while designing your sound. Moreover, because of the fact that this kind of instruments sounds great when transposed down (it really adds to the overall ‘lofiness’ of the sound) there’s an octave down switch in the GUI now. And as the last thing - there’s now also a simple 2 band equaliser (Instrument Tone) located at the bottom of the GUI. Simulated Round Robin Makes faster note passages sound more realistic and adds to the overall nonlinearity of the instrument - check out the introduction video to hear it in action (Kontakt and SFZ versions only). Variety of sounds Aside from the sound of a cassette record with this instrument you can easily create some weird sounds and there are already quite a few presets included to get you started (Kontakt & Ableton Live versions only).  + Available in multiple popular formats: Kontakt 5, Ableton Live 9, Logic, SFZ & Multiformat + 5 GB of samples (1325 samples in total) + Recorded on 4 different decks + Mono and Stereo versions + 5 noise samples (each around 2 minutes long) + 3 velocity layers + Organic sound with lots of little imperfections + 46 presets + One-page interface for easy and fast sound design + Convolution Reverb with custom impulses (spring, hall, corridor) 盒式钢琴.02的主要改进之一是在芭蕾舞训练室（立体声和单声道，钢琴后部有麦克风）中录制的一套全新的（不太完美）旧立式钢琴样品，它产生出令人惊讶的有机而美味的声音，并带有各种灯光。瑕疵。为了最大限度地利用这些录音，并进一步扩大乐器的音响能力，使用四个不同的甲板来处理样品。 每个音符都用高质量的算法仔细地去噪，以避免在播放多于一个音符时噪声叠加（样本中仍然有一些噪声以免去噪伪影）。噪声仍然可以添加与噪声旋钮-这是更加灵活的方式，并允许能力调整噪音的体积独立地，同时还应用参数，如滤波。它还能产生一种更逼真的声音，所以当演奏一个五声和弦时，只能听到一个噪声样本，而不能听到五个叠在一起的声音。 Kontakt版本的GUI已经被重新设计——它仍然非常简单和清晰，但是它提供了更多的编辑可能性，包括扩展调制部分： - 2个独立的LFO，每个形状5个，目的地4个。 振幅包络包络速度调制 带倒置开关的滤波器包络 具有倒置开关和攻击曲线旋钮的螺距包络 另一个改进是使用脉冲混响自定义脉冲（4个弹簧脉冲，4个霍尔脉冲和3个走廊脉冲），以及选择是否要放置在插入前或后效果-同样的事情去延迟。 此外，在本系列之前的乐器中，您可能已经知道一些特性，例如示例开始旋钮（用GUI或Mod Wheel控制），这些特性允许您在设计声音时控制初始瞬变。此外，由于这种乐器在倒置时听起来很棒（它确实增加了声音的整体“黄土”），所以现在GUI中有一个八音阶倒置开关。 最后一件事-现在还有一个简单的2波段均衡器（乐器音调）位于GUI的底部。 模拟循环赛 使更快的音符段落听起来更真实，并增加了仪器的整体非线性-检查介绍视频听到它在行动（Kontakt和SFZ版本只）。 声音的多样性 除了用这种乐器录音的声音，你可以很容易地创造一些奇怪的声音，已经有相当多的预设包括让你开始（Kontakt&Ableton现场版本只）。  +以多种流行格式提供：Kontakt 5、Ableton Live 9、Logic、SFZ和多格式 + 5 GB的样品（总共1325个样品） +记录在4个不同的甲板上 +单声道和立体声版本 + 5个噪声样本（每2分钟长） 3层速度层 +有机声音，有很多小瑕疵 + 46预设 +一页界面方便快捷的声音设计 +卷积与自定义脉冲混响（春、厅、廊） |
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