The soundfont version is not complete, because it has not the sound of mechanics (that are in original samples) when the musician releases the keys of the harpsichord, but the one for Kontakt has it. The keyboard of a harpsichord is not touch sensitive (dynamic), and sounds at the same level whatever you press the keys, but it seems that it is impossible to obtain this with the soundfont format... To avoid dynamic differences and respect the original instrument, you can adjust velocity in your sequencer in a way that the volume is constantly the highest... The Kontakt 2 version does not need this. SOUND ESTHETICS This bank has been created according to the following aims : we tried to produce the best soundbank possible, without any concession, i.e. without any consideration of size. According to this, we have one sample for each note, and it lasts as long as the sound is audible : the files last between 4 et 15 seconds, without adding the release samples. The sf2 version weighs 214 MB instead of 250 MB for the full Kontakt 2 version, which has the release samples. You may find this recording too dry, not reverberated enough. It is a deliberate choice, because we want this bank to be used in many contexts, mainly in a sequencer. So, it is possible to modify its sound, and add some reverberation or other effects, exactly as the user likes, what would have been impossible with a less neutral sound (for ex : church or concert hall). The harpsichord has been tuned to A 415 Hz and to equal temperament. But, in order to make it easier to use with most of modern instruments (in a sequencer for example), we transposed a semi-tone, to get a 440 Hz tuned harpsichord. So you can play it in your compositions without problem. Before you download the soundbank, please read the license and conditions of use If you want to hear the sound of this harpsichord soundbank before downloading it, you can listen two pieces of a french composer, François Couperin (18th century), played by midi files. The 4 combinations can be heard successively : stop 1, then stop 2, then the lute, and then the two stops together, in a hazardous order that will horrify harpsichordists ... 使用这个音库在采样器中, 你可以发挥一个虚拟的大键琴复制后, 18世纪的法国乐器由布兰切特。它有一个手册, 两个 8 ' 站, 加上一个琴站。此声库有声音字体, 和 kontakt 2 格式。如果你想要豪普特尔克的版本, 就去索尼音乐/豪普特维克。 声音字体版本是不完整的, 因为它没有力学的声音 (这是在原始的样本), 当音乐家释放大键琴的键, 但一个孔塔克特有它。 大键琴的键盘不是触摸敏感 (动态), 声音在同一级别, 无论你按键, 但它似乎是不可能获得这与声音字体格式..。为了避免动态差异和尊重原始仪器, 您可以调整音序器中的速度, 以保持音量始终是最高的..。kontakt 2 版本不需要此版本。 声音学 这家银行是根据以下目标创建的: 我们试图在没有任何让步的情况下, 即在没有任何规模考虑的情况下, 生产出尽可能最好的声音库。 根据这一点, 我们有一个样本为每个音符, 它持续, 只要声音是可以听到的: 文件持续4到15秒之间, 而不添加释放样本。sf2 版本的重量为 214 mb, 而不是 250 mb 的完整 kontakt 2 版本, 其中有发布示例。 你可能会发现这个录音太干了, 还不够反响。这是一个深思熟虑的选择, 因为我们希望这个银行在许多情况下使用, 主要是在音序器中使用。因此, 它是可能的修改它的声音, 并添加一些混响或其他效果, 正是用户喜欢的, 这将是不可能的一个不那么中性的声音 (前: 教堂或音乐厅)。 大键琴已被调整为 a415 赫兹和平等的气质。但是, 为了更容易使用大多数现代仪器 (例如在音序器), 我们转换了一个半色调, 以获得一个440赫兹调谐大键琴。所以你可以在你的作品中毫无问题地播放它。 在下载音库之前, 请先阅读使用许可证和条件 如果你想听到这个大键琴音库的声音, 然后下载它, 你可以听两个法国作曲家, 弗朗索瓦·库佩林 (18世纪), 播放的 midi 文件。4组合可以连续听到: 停止 1, 然后停止 2, 然后琴, 然后两个停止在一起, 在一个危险的顺序, 将恐怖的竖琴..。 |
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