Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use. For the EXtended Version Chris Hein pushed the limits of Kontakt scripting and modelling to power the most realistic and dynamic brass collection ever seen. Instruments Overview While the original library featured nine instruments, Chris Hein Orchestral Brass EXtended comes with twelve instruments in total. Included are all nine original instruments plus three additional instruments, six ensemble instrument patches, and two effects articulation patches. All in all, Chris Hein Orchestral Brass EXtended contains 20 GB of additional content - more than twice as much as the original library and over 43,000 new samples. Instruments from Orchestral Brass Complete: three Trumpets, three Trombones, and three French Horns recorded as individual instruments and as three ensembles. Each instrument builds upon almost 8,000 single samples, 14 articulations and up to eight dynamic layers. Additional instruments in the EXtended Version: F-Tuba, Sousaphone, and Euphonium. In fact, these three Low Brass Instruments have more articulations and samples than the original Brass Instruments - there are 24 articulations in total for each of the Tuba, Sousaphone and Euphonium. In addition to 5 different sustains, 6 different shorts and 5 different special articulations, you’ll find: Added Repetitions in 16th and 8th notes with adjustable speed 6 new short articulations and hundreds of stunning one shot effect samples Euphonium ImageChris has sampled these instruments in exquisite detail, with 16 dynamic layers for the normal shorts. This provides a huge range of variation and expression. Short repetitions, dirty attacks, growls and ornaments were deliberately recorded with character and expression, so they’ll bring unparalleled realism to your parts, simulating the natural playing nuances of a real-life player. Ensembles Overview For an epic Hollywood sound Chris Hein added six Ensemble Instrument patches using the same mixing techniques he used for his Ensemble Strings library, Chris has created extra large, epic Brass Ensembles from a careful mixture of the solo instruments. Thanks to the sonic quality and the extremely wide dynamic range, this version of Orchestral Brass offers instantly fat and full sounding Ensembles for each instrument group. OB extended gui Included are: Trumpet Ensemble large Trombone Ensemble large Horns Ensemble large Low Brass Ensemble Full Brass Ensemble Full Brass Ensemble without the Trumpets  More Features inside Orchestral Brass EXtended Note-Head Variations - Changing the Note-head variations has always been a standout feature of Chris Hein libraries, and with Orchestral Brass EXtended the number of different attack articulations increases from 6 to 12. This is the easiest way to bring more character, variations and nuance to your brass performances. Instantly switch between all versions of clean or dirty attacks by just moving the Note-Head fader. Simulated Mute Controls - The simulated mute controls inside Orchestral Brass EXtended are effective, realistic and first and foremost lots of fun. Because they’re modelled, rather than sampled, Orchestral Brass EXtended consists of a reasonable size without multi-sampling every different type of mute. All the EXtended instruments are armed with the mute modelling, accessible from the front panel. Included are five different Mutes: Bucket, Cup, Harmon, Straight, and Stop mute. True Legato - The instruments of Chris Hein Orchestral Brass Complete offer true legato. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time you can expand these realistic articulations by additional, artificially inserted legatos. Perfect Dynamic Transitions thanks to Phase Alignment - All samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation. The User-Interface The custom-tailored user-interface for Kontakt Player not only offers numerous functions to adapt the library's sound character and articulations but also provides immense configuration choices to live up to specific demands and workflows. At the same time, you can effectively play the library without any deep edits. Pre-programmed key-switch-presets allow fast tryouts of all available types. Thanks to four "Dynamic Modes", the "Note-Head Designer", "Key-Vibrato", "Hot-Keys" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play these instruments live. Inside Orchestral Brass EXtended the playback engine received a few tweaks - the most notable one being the “offset” fader within the Legato engine. This offers a whole new world of portamento transitions, from a full slide between two notes, to a more subtle glide. Using the offset function in combination with the speed fader brings and even wider range of options, especially when using MIDI controller data for automation inside your DAW. Orchestral Brass Sounds tailored to Perfection Both the high quality gear such as selected Neumann microphones and the musician's significant performances drive the sound aesthetics. Unlike the award-winning Chris Hein – Horns, this library takes advantage of the renowned WDR Symphonic Orchestra. For this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds Compact incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other, forming perfectly balanced ensembles. Consequently, time-dependent articulations such as Dynamic Expression achieve an especially coherent tone, allowing you to combine individual instruments for perfectly matched ensembles. 克里斯·海因管弦乐黄铜表演是一个广泛的管弦乐铜管库, 满足对音质, 表达和适用性的最高期望。最初作为一个功能和有趣的黄铜库在其第一次迭代, 已经采取了一个新的水平与博览会版本。 制作人 Chris Hein 将他三十年的抽样经验带入这一杰作, 为用户提供了最大的灵活性、最高级别的定制和使用优势。对于博览会版本克里斯·海因推动了 Kontakt 脚本和建模的极限, 为有史以来最逼真和最有活力的黄铜收藏提供了动力。 仪器概述 虽然原来的图书馆有九个乐器, 克里斯海因管弦乐布拉斯外, 总共有12种乐器。其中包括所有9个原始仪器加上3个额外的仪器, 六个集成仪器补丁, 和两个效果发音补丁。总之, 克里斯·海因管弦乐黄铜博览会包含 20 GB 的额外内容-两倍多的原始库和超过 43, 000个新的样本。 管弦乐黄铜完成的仪器: 三个小号, 三个长号, 和三个法国角记录为个人乐器和三个合奏。每种仪器建立在近 8, 000个单一样本、14个关节和多达8个动态层的基础上。 在所展示的版本中的其他仪器: F-Tuba、Sousaphone 和 Eo普拉尼。 事实上, 这三个低黄铜仪器有更多的关节和样品比原来的黄铜仪器-有24关节, 共为每一个图巴, 索萨蓬和欧普尼姆。 除了5个不同的支撑, 6个不同的短裤和5个不同的特殊关节, 你会发现: 在第16和第8次音符中添加了可调节速度的重复 6个新的短关节和数百个令人惊叹的一个镜头效果样本 在这些乐器中, Chris 对这些乐器进行了精致的采样, 为普通短裤提供了16个动态图层。这提供了一个巨大的变化和表达的范围。简短的重复, 肮脏的攻击, 咆哮和装饰品被故意记录与字符和表达, 所以他们会带来无与伦比的现实主义到你的部分, 模拟一个真实的球员的自然发挥细微差别。 合奏概述 对于史诗般的好莱坞声音克里斯海因添加了六个合奏仪器补丁使用相同的混合技术, 他使用了他的合奏弦库, 克里斯创造了超大的, 史诗般的黄铜合奏从一个仔细的独奏乐器混合。由于音质和非常宽的动态范围, 这个版本的管弦乐黄铜提供即时脂肪和充分的冠冕堂皇的合奏为每个仪器组。 OB 扩展桂 其中包括: 小号合奏大 长号合奏大 角合奏大 低黄铜合奏 全黄铜合奏 没有小号的全黄铜合奏 低黄铜合奏是一个特别的亮点, 与扩展的关节包括: 合奏重复, 6 新的短关节, 12个不同的笔记头和壮观的合奏效果的大品种。 更多功能内管弦乐黄铜展示 光头变化-改变光头变化一直是 Chris Hein 库的一个突出特点, 与管弦乐黄铜外, 不同的攻击关节的数量从6增加到12。这是最简单的方法, 以带来更多的性格, 变化和细微差别, 你的黄铜表演。只需移动 "点头" 器, 即可在所有版本的干净攻击或脏攻击之间立即切换。 模拟静音控制-模拟静音控制内管弦乐黄铜博览会是有效的, 现实的, 最重要的是很多乐趣。因为它们是建模的, 而不是采样的, 所以管弦乐黄铜展示由一个合理的大小组成, 没有多采样的每一种不同类型的静音。所有的外设计仪器都配备了静音模型, 可从前面板访问。包括五个不同的静音: 桶, 杯子, 哈蒙, 直, 和停止静音。 真正的乐高-克里斯·海因管弦乐黄铜完成的仪器提供真正的乐高。相应的深入录音和编辑导致意外逼真的声音与完美的笔记过渡。同时, 你可以扩大这些现实的关节额外的, 人为插入的法律。 相位对齐带来了完美的动态转换-所有样品都在相位中完全对齐。因此, 这些仪器提供了完美无缝的动态层过渡, 而不会发生声波退化。 |
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