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音景库 Sound Aesthetics Sampling Resona v 1 for Kontakt

2020-4-21 09:17| 发布者: ajin| 查看: 224| 评论: 0|原作者: ajin

系统要求:PC/MAC
软件格式:KONTAKT
大小:598.49 mb
时间:2018年11月20日

Resona is aimed at cinematic Ambient and/or Horror music.
Resona is an essential toolkit for Ambient, Horror and cinematic music in general. The library includes Bells, Glass, Mallets, Ambiences, Arps, a huge diversity of Pads and many more. As a bonus you even get the possibility to implement your own samples if you’d like to.

KEY FEATURES
24 Instrument Patches (.nki)
13 Multis (.nkm)
279 samples in 24 bit / 48 khz, ncw compressed
Some Sounds got up to 5 dynamic layers (Glasses, Mallets etc.)
27 custom Impulse Responses
Sampled Instruments: Small Music Box, Bells, Wine Glass played with different mallets, Kalimba, Marimba, Strings, Voices, Woodwinds, Synths.
Essential effects like: Delay, Reverb, Lofi, Phaser, Chorus.
Volume slider for each instrument to easily morph between the patches via midi CC automation.
The Patches labeled “Sampler Mode” use a randomization technique, which makes the sound more organic, but also uses more RAM.
An Arpeggiator has been programmed for the Arps patches.
Most Patches got a low pass filter mapped to Mod Wheel.

CORE OF THE LIBRARY
The Intention of this library was to sample two small music boxes, which you hear in the “Melodies” patches. After it worked out well I decided to include more Bell and/ or Mallet like sounds and fill the sound space behind them with Pads and Ambiences. So I crafted the Pads and Ambiences from Synths, real instrument recordings and a hybrid version of both to give the whole library a lot more depth. You don’t get a huge array of patches, because you don’t need to. You can simply select the sound of your choice and don’t have to click through all the patches.

The Multis are just some combinations, that came into my mind, but the possibilities are nearly endless. Feel free to create your own. And because every patch has a individual Volume slider, you can even morph between two or more sounds on the fly. (Using the default CC7 would just rise the Volume of all instruments currently loaded into the rack)

The Sounds were meant for instant inspiration so you can just play them right out of the box or take your time and tweak the sound until they fit your taste.

PATCH CREATOR
The Patch Creator gives you the ability to use your own samples and take advantage of the GUI. I’ll explain how to use it.

First we have to resave a plane Patch Creator patch. So decide if you want to create it in Sampler Mode or DFD. [Again: Sampler Mode sounds more natural, but DFD is lower on system ressources]
Load the Patch out of the “Patch Creator” folder.
Click on the wrench in the left top of the instrument and then onto the icon “Files” next to options.
Now click “save edited instrument […] as” and type in the name you want to give your instrument. Be sure to keep “patch + samples” checked. (If you accidentally overwrite the plane Patch, don’t worry, you have a copy of it within the “Patch Creator[Backup]” folder) * After that exit Kontakt and open up the sample folder of your new instrument. * Now you can simply exchange the placeholders with your custom samples. You only have to keep the naming. For example: “resona_custom_001”. * If you open up your Patch you can additionally set Root Key, Fine Tune, Attack and Decay for each of the five samples individually. [A Root Key Chart is included if you’re not familiar with midi numbers] Done! [You can repeat this as often as you want to]

共振是针对电影环境和/或恐怖音乐。
Resona是环境、恐怖和电影音乐的基本工具。图书馆包括钟,玻璃,木槌,环境,阿尔卑斯,一个巨大的多样性的垫子和更多。作为奖励,如果您愿意,甚至可以实现自己的示例。

关键特征
24仪器补丁(.NKI)
13 Mulk(.NKM)
279个样本在24位/ 48千赫,NCW压缩
一些声音达到了5个动态层(眼镜、槌子等)。
27自定义脉冲响应
样品乐器:小音乐盒,钟,酒杯,用不同的木槌,卡利姆巴,木琴,弦乐,声音,木风,合成乐器演奏。
基本效果:Delay,混响,洛菲,相位器,合唱。
体积滑块为每个仪器之间容易变形补丁通过midi CC自动化。
标签为“采样模式”的补丁使用了随机化技术,这使得声音更加有机,但也使用更多的RAM。
一个琶音器已经被编程用于ARPS补丁。
大多数补丁获得了映射到MOD轮的低通滤波器。

图书馆核心
这个库的目的是采样两个小音乐盒,你可以在“旋律”补丁中听到。在效果良好之后,我决定加入更多像贝尔和/或马利特的声音,并用垫子和环境填充它们后面的声音空间。所以我用Synths制作出了Pads and Ambiences,真正的乐器录音,以及两者的混合版本,使整个图书馆更加深入。你没有得到大量的补丁,因为你不需要。您可以简单地选择您选择的声音,而不必单击所有的补丁。

多重宇宙只是我脑海中浮现的一些组合,但可能性几乎是无穷无尽的。自由创造你自己。因为每个补丁都有一个单独的音量滑块,你甚至可以在飞行中的两个或多个声音之间变形。(使用默认的CC7只会增加当前装载到机架上的所有仪器的体积)

声音是即时灵感的,所以你可以直接从盒子里弹出来,或者慢慢地调整声音,直到它们符合你的口味。

补丁创建程序
Patch Creator为您提供了使用自己的示例和利用GUI的能力。我来解释如何使用它。

首先,我们必须重新创建一个平面补丁创建者补丁。因此,决定是否要在采样器模式或DFD中创建它。[再次]采样器模式听起来更自然,但DFD在系统资源上较低
从“Patch Creator”文件夹中加载补丁。
单击仪器左上角的扳手,然后单击选项旁边的图标“文件”。
现在单击“另存已编辑乐器[…]as”并键入要给乐器的名称。一定要保持“补丁+样本”检查。(如果您不小心覆盖了平面补丁,不要担心,您在“补丁创建者[备份]”文件夹中有一个副本)*退出Kontakt并打开新乐器的示例文件夹。*现在您可以简单地将占位符与自定义示例进行交换。你只需要保持命名。例如:“RealAsCuffy0.1”。*如果你打开你的补丁,你可以另外设置根键,微调,攻击和衰退五个样本分别。[如果你不熟悉MIDI号码,包括根键表]完成了![你可以经常重复这件事]。

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