Welcome to Sawmill, where you can detune everything, on every oscillator. There are seven oscillators and it is quite like having a stack of seven synthesizers, with controllers conveniently grouped by type. So if you want tune a filter cutoff you have a row of seven knobs to deal with. It makes it easy to experiment with oscillator layering. WAVEFORMS Sawmill is not your standard sample library. It is an advanced and powerful synthesizer with sampled oscillators. There are 32 waveforms, generated mostly with a modular analog system and vintage analog synthesizers. The samples are fairly long to capture bits of analog drift and tiny electronic imperfections which makes it sound more alive. Each sample has been looped by hand without any additional processing, to preserve as much of the original flavor as reasonably possible. The waveform selection is focused mainly on different variations of saw, but it also includes other basic shapes, as well as some fancy waveforms you can generate in a modular by mangling the oscillator with rectifiers, ring modulators, inverters and the like, all in analog domain. Sawmill includes nearly complete palette of what Kontakt has to offer in signal processing: full range of filter types, classic effects, different types of envelopes, LFOs with various shapes and frequency modulation. SEQUENCED MODULATOR Additionally there are several innovative functions. There is a sequenced modulator, which is a crossover between a step sequencer and an LFO - you can program a value pattern and shape it to the LFO waveform. There are six patterns which can be combined and/or patched to different parameters, like pitch or filter cutoff. In fact, any parameter can be automated using MIDI CC. There is pitch glide function with adjustable acceleration curve. And then there is the advanced multi-arpeggiator, which is like having a stack of eight arpeggiators, which you can sequence or combine in different ways to create complex note patterns out of a simple chord. DETAILS: + 7 oscillator stack with all parameters editable individually for each oscillator + 32 sampled oscillator types, analog and vintage digital + 2574 hand looped samples (2.75 GB unpacked - open wav) + 107 presets in snapshot format + Multi-arpeggiator with 8 arp patterns to combine + Step sequencer and LFO crossover modulator with 6 editable waveforms + Comprehensive set of 32 scales to choose from so the arp can be locked to precise musical notes + 35 filter types + 105 Snapshots + 49 Page User Guide The instrument is equipped with 4 LFOs, 5 envelopes, a standard set of Kontakt’s effects (chorus, flanger, phaser, delay) and a full palette of Kontakt’s filters and different distortion types, all of which should by multiplied by 7, as each oscillator has a separate set. There’s also an advanced multi-arpeggiator, which can run several patterns simultaneously and a rather unique step-sequenced modulator (a step sequencer, where you can define sweep curves between steps). In the end it can go well beyond the standard supersaw sound. SOUNDS There are 32 oscillator waveforms to choose from. Mostly different flavors of saw and other spiky waveforms as those work best with layering. Oscillator waveforms are tagged by source: Modern analog – generated with eurorack modular system, based on Intellijel Dixie and Doepfer A-110-4 oscillators, first being triangle core and second sine based (sine waveform is not a derived from other waveforms by waveshaping). There are several saw flavors processed by different filter types, where cutoff is modulated loosely by pitch CV. Besides regular shapes there are numerous exotic shapes, generated by mixing and processing regular waveforms, using ring modulators, rectifiers, logic modules etc., all in analog domain. Vintage analog – generated with Sequential Circuits Six-Track synthesizer, which has a neat feature of mixing three basic waveforms. There are three basic waveforms: saw, pulse and triangle and two mixed waveforms: saw + triangle and saw + pulse. There are also two versions of saw processed with tuned Moog type low pass filter. Tuned means that I used oscilloscope to manually tune the cutoff for each semitone, so the waveform shape is consistent over the whole set. This synthesizer is also the source of noise oscillator. Vintage string machine – that’s a single pulse waveform recorded from1979’s Siel Orchestra, which had a solo mode being basically a single oscillator out. This set doesn’t cover the whole 84 semitones, lowest and highest octaves will be derived by pitching the samples in Kontakt. Early mini clone – generated with eurorack oscillator, being the clone of early design of Minimoog model D using no integrated circuits. This set includes Mini’s trademark ‘sharktooth’ waveform and the only rectangle shape available (not exactly rectangle if you look at it). Vintage digital – two extra waveforms, generated with Casio CZ-3000, a unique phase distortion synthesizer. 锯木厂是由超声器激发出来的乐器。从广义上说，它不试图模仿经典的超锯声，但我认为分层失谐锯振荡器如何将静态声音转变成运动纹理很有趣。我一直在想，如果你失谐其他参数，而不仅仅是音高，听起来会怎么样？例如，您还可以取消滤波器、低频振荡频率、效果等。 欢迎来到锯木厂，你可以在每一个振荡器上消除一切。 有七个振荡器，很像有一堆七个合成器，控制器方便地按类型分组。因此，如果你想调整一个过滤器截止，你有一排七个旋钮来处理。这使得很容易实验与振荡器分层。 波形 锯木厂不是你的标准样品库。它是一个先进的强大的采样振荡器合成器。有32个波形，主要由模块化模拟系统和老式模拟合成器产生。 样本相当长，以捕捉模拟漂移和微小的电子缺陷，使它听起来更生动。每个样品都经过手工循环，没有任何额外的处理，以保持尽可能多的原始风味。 波形选择主要集中于锯的不同变化，但它也包括其他基本形状，以及一些奇特的波形，您可以通过将振荡器与整流器、环形调制器、逆变器等在模拟域中混合来模块化地生成。 Sawmill包括Kontakt在信号处理中提供的几乎完整的调色板：全范围的滤波器类型、经典效果、不同类型的包络、具有不同形状和调频的LFO。 顺序调制器 此外还有几个创新的功能。 有一个定序调制器，它是一个跨步定序器和一个LFO-你可以编程一个值模式，并塑造它的LFO波形。 有六个图案可以组合和/或修补到不同的参数，如音高或滤波器截止。事实上，任何参数都可以使用MIDI CC自动化。 具有加速度曲线可调的俯仰滑翔功能。 然后是先进的多重琶音器，就像有一堆八个琶音器，你可以用不同的方式排列或组合它，从一个简单的和弦中创造出复杂的音符模式。 细节： +7振荡器堆栈，所有参数可针对每个振荡器单独编辑 + 32个采样振荡器类型，模拟和复古数字 + 2574手环样本（2.75 GB un包装-开放wav） 快照格式的107个预置 +多琶音与8个ARP模式结合 +阶跃定序器和6个可编辑波形的LFO交叉调制器 +综合32个音阶可供选择，因此arp可以锁定到精确的音符 + 35种过滤器类型 105张快照 + 49 Page User Guide 该仪器配备有4个LFO、5个包络、一组Kontakt效应的标准组合（合唱、法兰、相位器、延迟）以及Kontakt滤波器的全调色板和不同的失真类型，所有这些都应该乘以7，因为每个振荡器有一个单独的组合。 还有一个先进的多琶音器，可以同时运行几个模式，以及一个相当独特的步进序列调制器（步进序列器，您可以定义步进之间的扫描曲线）。最后，它可以远远超出标准的超声。 声音 有32个振荡器波形可供选择。锯子和其他尖峰波形的味道大多不同，因为它们最适合分层。振荡器波形由源标记： 基于Intellijel Dixie和Doepfer A-110-4振荡器的欧式机架模块化系统产生的现代模拟，首先是三角形芯，其次是基于正弦（正弦波形不是通过波形整形从其他波形中得到的）。有几种不同的锯末调味品。 滤波器类型，其中通过音调CV松散地调制截止。除了规则的形状之外，还有许多外来的形状，通过混合而产生。 处理规则波形，使用环形调制器，整流器，逻辑模块等，都在模拟域。 用时序电路六路合成器产生的老式模拟，具有混合三种基本波形的简洁特性。有三种基本波形：锯、脉冲和三角形，两种混合波形：锯+三角形和锯+脉冲。还有两个版本的锯处理调谐穆格型低通滤波器。调谐意味着我使用示波器手动调谐每个半音的截止，所以波形在整个设置上是一致的。该合成器也是噪声振荡器的来源。 古董弦乐器——这是从1979年的Siel管弦乐队录制的单脉冲波形，其独奏模式基本上是单个振荡器输出。这套曲子没有覆盖整个84个半音，最低和最高的八度音将是德里。 |
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