At the end of the 70s Wolfgang Palm developed wavetable synthesis. This was very successful and used by many synthesizer companies in the 80s and 90s. But this technology has its limitations. The main reason is that all sounds are harmonic. In nature this does not happen very often. Many sounds like a piano string have small offsets from the harmonic frequencies. This is even stronger in sounds like bells or percussion. Infinite overcomes this limitation. The frequencies of the overtones created by Infinite can be totally freely defined. So the sounds it produces are totally free in the frequencies of their overtones. This means that each partial wave can have an arbitrary frequency. Moreover it is possible to move these overtones independently during the duration of a note.  This has always been my dream. A system which can reproduce all kinds of sounds and transform them into a universal set of parameters. Thus all these sounds are completely morphable. Wolfgang Palm Another important part of most natural sounds is noise. Be it a flute or when a drumstick hits the drumhead - and this all can be reproduced in Infinite. Furthermore the noise source can be used to modulate the tonal part which results in very powerful effects. Besides these new digital features, we still have the typical 24db Lowpass filter, 2 VCA with stereo out and effects. All this is controlled by 10 envelopes, 4 LFOs and a modulation matrix. Maybe the greatest innovation in Infinite is the Morpher. It is so easy to create new timbres and real-time effects by morphing the gains and frequencies of sounds with the X/Y controller. To get an impression of the morphing possibilities watch this short video.  Infinite comes with more that 300 tonal resources, which can be loaded into the 5 fields inside the Morpher. But it does not stop there. You can edit these in detail on two extra pages and can import your own sounds from the PPG WaveGenerator and WaveMapper apps. On the SineEdit 1 panel, you edit the sine tracks with a set of parameters for each track. A track is the time sequence of one sine componente over the full length of the sound. A 3D display gives a good impression of the whole resource. Example of a 3D view showing the FMo 2 resource which features strong frequency moves. n the SineEdit 2 panel, you edit the fine structure of a track in a bargraph. A FREQ mode lets you do this for the frequency. Parameter page edits the program parameters like Oscillator Pitch, the VCF (a 24dB lowpass filter), gain envelopes and LFOs. PPG Infinite is equipped with 10 envelopes. Some are fixed to a certain function, others can be freely connected with the matrix.  The browser page offers a number of easy ways to manage your programs. To group a selection of programs in a browser list, you have several filters and modes available. You can create a new list and then copy single entries from the browser list into the target list. Key Features New system which can synthesize harmonic and inharmonic sounds Morpher - X/Y controller which morphes 5 user selectable sine resources Noiser - X/Y controller morphing 3 noise resources and performing modulations on the tonal part Molder - acts as a digital filter with any amaginable filter sweeps Two detail editor pages for the Sine resources featuring a 3D display Import WTS and TCS files from the iPad WaveGenerator and WaveMapper Import Phonem utterances and use them in the Infinite Molder Versatile matrix system - allowing 16 sources to control 40 parameters 10 Envelopes, for control of filter sweeps, waveform, noise and many modulations 4 LFOs which can be freely routed via the matrix Delay/Reverb effect Overdrive/Distortion effect A/B compare your edited sounds AU extension - run multiple Infinite instances in AU hosts IAA - inter-app audio support Audiobus 2 with statesaving Export audio to AudioShare Preset browser with new listing filters Directly accessible context help for each module Freely configurable schematic keypads, with extremely expressive modulation options 4 Keypads play modes: Poly, Mono, Legato and Multitrigger. 4 MIDI modes: Omni, Poly, Mono, and Voice-Per-Channel. PPG wavemapper是沃尔夫冈棕榈基合成二新一代iOS 2012发布，谁在PPG波形发生器的好评来自媒体和公众的。 在最后的发展分wavemapper为iPad用户提供第二合成器恭维已经爱上了PPG WaveGenerator从沃尔夫冈的手掌。PPG wavemapper允许用户有机会从这一独特的和强大的新技术创造无限的声音。 所以，如果深度和复杂性，WaveGenerator还是用户太吓人，WaveMapper有问题，真正的创新和界面带来的声音设计，全新一代的生产者的乐趣了。 Francis Preve（键盘杂志） PPG wavemapper特色地图，这地图的不同声音的方式方便地访问和与他们的实验，更重要的是，PPG wavemapper特征的一种新的合成系统，地图的声音进入一个新的波表保留声音特性更好的比经典的波表合成，同时可以使重量的合成手法如此独特的波形。 映射窗口是“模块”浮动的程序池的可视化。这些模块是合成器发动机的某些参数和每个模块可以放置在32个节目。当项目放置在map上时，该模块的参数将接受映射窗口中底层程序中这些参数的设置。 人不具有合成器编程技巧可以使用这种映射技术为出发点来创建复杂的声音。例如，用户可以将字符串声音源拖到鼓包上，或者把吉他声音放在一个字符串信封上——这个概念很简单，但却非常强大。电力用户可以使用全套的专业功能深入到任何声音的后端。 主要特点 新的声音地图概念-创造新的声音好玩和实验 3种类型的合成——每种声音的最佳类型 对于典型的PPG经典波表的声音 时间压缩的样本-更真实的声音，允许用户样本分析 纯样品-经典样品回放 分析仪-将自己的样本到新的格式或波表 3个完全独立的声源振荡器 90声音资源-一个巨大的声音调色板，从真实乐器摘要波表 4参数编辑器页面-舒适和详细地访问所有参数 3个噪声发生器，用于音频和调制 ringmodulator 经典的24分贝低通滤波器，结合超速仿真。 双放大器，多功能控制2个音频信号以及平移。 13个独立的音调，波形，滤波器和噪声控制信封。 增益和平移 4个低频振荡器- 5的波形 延迟/回波效应 arptor -一个强大的步进音序器播放琶音 示意触摸键盘-建立自己的键盘，你喜欢的音乐键。 强大的声音浏览器-按类别分类，银行管理 虚拟和硬MIDI /发送/接收键和控制器。 应用程序音频（IAA）支持-音频和MIDI。 audiobus 2支持。 10分钟音频录制和音频拷贝。 通过iTunes共享文件 |
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