描述 "很可能是 Rr 最奇怪的乐器...对于陌生和尘土飞扬的恋人来说， 这显然是一个必须拥有的东西。 乙烯基三振荡器合成器，具有可切换的 1960 年代或 1910 年代葡萄酒波形和 35 个预设补丁 • 可调节的针扎和背景裂纹声音，实现 78rpm 的真实性 • 回忆 Birotron、Optigan 和其他 Mellotron 时代重播乐器的味道 拼盘 Kontakt 仪器 1 可能我们最恐怖，最肮脏的仪器尚未，普拉特是一种字符串合成器混合，作为它的起点各种合成波形，但重新想象他们内置于乙烯基为基础的重播机。如果索利娜和 Optigan 被遗弃在阁楼上五十年， 生了孩子， 这就是他们可能听起来像... 核心前提很简单：我们采取了各种合成波形，但与字符串合成端的频谱严重偏向，并让他们按自定义配音由我们当地的乙烯基车间。我们故意没有走标准路线的锯，正弦，方为这一个;相反，有几个"合成订书针"，但也一批更管弦乐的声音从旧的弦合成器和其他更复杂的乐器。因此，您没有选择"脉冲"或"锯"，而是有"交响乐"，"巴洛克"，"合唱"和"优雅"。不知道那听起来像什么？试试看， 看看🙂 然后，我们在两台老式机器上重播了这些波，这些波从他们的乙烯基LPs上：一台20世纪60年代（20世纪60年代）的丹塞特（Dansette）和一台1910年的手动调式便携式78播放器，配有钢针和内置喇叭。这个过程的结果是两组完全不同的波，一个或多或少真实的原始声音（但有一点点的噼啪声和摆动），另一个野蛮的带宽限制，彻底古董的基调，扭曲欢快沿每当你点击振荡器的复古开关。 接口是您将这些起点到下一个级别的地方。你得到三个振荡器玩和混合，每个是自由选择之间的60年代波和复古版本。每个波都有自己的放大器包络和颤音控制（可以设置超慢，让声音淡入和淡出几乎潜意识）加上一个非常有用的高通滤波器。拨打这个足够高，你留下的很少，除了他的和裂纹，这可能是一个伟大的方式，添加一些复古字符的语气，主要是由两个60年代的波形在其他两个表盘。 拼音Kontakt仪器2在右侧端有一个块，使用一个通用的滤波器电路（完成包络），阀门饱和度，以推动声音更难，和双针和凹槽控制连接所有三个振荡器在一起。针控制最初的针下砰砰声，并模拟在您击中钥匙时与盘片接触。Groove 是一个恒定的，78rpm 循环裂纹从 1910 年转盘采样，并播放，只要你拿着一个音符。明智地使用这两个控件确实有助于模拟老化的 Optigan 式机器的行为。此外， 当然还有 Glitch 控件， 用于即时随机补丁创建 （与音乐有用的补丁的偏见） 。点击它，并立即获得新的灵感！ 后面板上有回声、混响和旋转扬声器模拟器以及建模的放大器驾驶室，所有这些都可以非常快速和轻松地将声音从有用的新方向发出来。 很显然， 拼盘不是娱乐： 它是一个完全原创和故意的怪球乐器。它擅长复古风格的声景，黑白恐怖电影配乐，喜怒无常的蒸汽朋克膨胀，背景音乐的世纪之交，沿着剑桥的河流，一个维克特罗拉在弓演奏...如果你想把你的曲目时间旅行到另一个时代， 普拉特在这里为你。 拼盘也很好地发挥与别人：尝试分层它与您选择的补丁，然后调整HTF，使它不竞争，并让它借给任何你喜欢的色调老式乙烯基通风光泽。在组合或独奏，这是非常一个达到当你想要一个怀旧棕褐色滤镜在你的镜头！  Description ‘Quite possibly RR’s weirdest instrument yet… for lovers of the strange and dusty, this is clearly a must-have.’ – Computer Music Magazine Computer Music 8 out of 10 Vinyl-based three-oscillator synth with switchable 1960s or 1910s-vintage waveforms and 35 preset patches • Adjustable needle-down and background crackle sounds for 78rpm authenticity • Recall the flavour of the Birotron, Optigan and other Mellotron-era replay instruments Platter Kontakt instrument 1Possibly our gnarliest, grungiest instrument yet, Platter is a kind of bastardised string synth hybrid, taking as its starting point a variety of synth waveforms but reimagining them as built into a vinyl-based replay machine. If a Solina and an Optigan were abandoned in an attic for fifty years and had babies, this is what they might sound like… The core premise is quite a simple one: we took a variety of synth waveforms, but with a hefty bias towards the string-synth end of the spectrum, and had them pressed to custom dubplates by our local vinyl workshop. We deliberately didn’t go down the standard route of saw, sine, square for this one; instead, there are a couple of “synth staples” but also a batch of more orchestrally-themed sounds taken from old string synths and other more complex instruments. So instead of choosing “Pulse” or “Saw”, you’ve got things like “Symphonic”, “Baroque”, “Choral” and “Elegiac”. Not sure what that’s going to sound like? Try it and see 🙂 We then replayed these waves off their vinyl LPs on two vintage machines: a 1960s Dansette, and a 1910 hand-cranked portable 78 player complete with steel needle and built-in horn. The result of that process is two completely distinct sets of waves, one more-or-less true to the original sounds (but with a bit of crackle and wobble) and the other a savagely bandwidth-limited, thoroughly antique tone that warbles merrily along whenever you click in the oscillator’s Vintage switch.  The interface is where you take those starting points to the next level. You get three oscillators to play with and blend, each of which is freely selectable between the 60s wave and the Vintage version. Each wave has its own amp envelope and tremolo control (which can be set super-slow to allow the sound to fade in and out almost subliminally) plus a very useful high-pass filter. Dial this up high enough and you’re left with very little except hiss and crackle, which can be a great way to add a bit of Vintage character to a tone mainly comprised of two 60s-era waveforms on the other two dials. Platter Kontakt Instrument 2On the right-hand end there’s a block that ties all three oscillators together using a common Filter circuit (complete with envelope), Valve saturation to push the sound harder, and the twin Needle and Groove controls. Needle controls an initial needle-down thump and simulates engaging the platters whenever you hit a key. Groove is a constant, 78rpm cyclic crackle sampled from the 1910 turntable and plays as long as you hold a note. Judicious use of these two controls can really help simulate the behaviour of an ageing Optigan-style machine. Plus of course there’s the Glitch control, for instant random patch creation (with a bias towards musically-useful patches). Click it and get immediate fresh inspiration!  On the rear panel are echo, reverb and rotary speaker sims plus modelled amp cab, all of which can take the sound in useful new directions very quickly and easily. Platter is, fairly obviously, not a recreation: it’s an entirely original and deliberately oddball instrument. It excels at vintage-themed soundscapes, black-and-white horror movie soundtracks, moody steampunky swells, background music for turn-of-the-century punting trips along the rivers of Cambridge with a Victrola playing in the bow… if you want to timetravel your tracks into another age, Platter is here for you. Platter also plays nicely with others: try layering it with your patch of choice and then adjusting the HPFs so it doesn’t compete, and let it lend a sheen of vintage vinyl airiness to any tone you like. In combination or solo, this is very much the one to reach for when you want a nostalgic sepia filter over your lens! home.php?mod=space&uid=1&do=blog&id=3212 |
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