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丘特尼音乐与塔萨鼓 Indigisounds Chutney and Tassa Starter Pack KONTAKT

2020-8-24 09:07| 发布者: ajin| 查看: 587| 评论: 0|原作者: ajin

系统要求:PC/MAC
软件格式:KONTAKT
大小:1.48 GB
时间:2019年7月23日

In the aftermath of the abolition of slavery in the Caribbean, the East Indian indentured labourers arrived bringing with them another culture to the melting pot of the West Indies. Foremost of the elements which they brought with them was their musical identity. East Indian indentured labourers came mainly from the Hindustan belt to cultivate the sugar plantations predominantly in Trinidad and Tobago, Suriname, and Guyana.
This sample library offer comprises the two major musical sub-genres to emerge within the history of West Indian Creole musical innovations, both of which are the result of the East Indian immigrant presence in the Caribbean.
Chutney music evolved from the Bhojpuri folk music. The primary instruments used are the harmonium, dhantal, and dholak. This traditional chutney sound is the seminal form of original and organic expression of the Indian diaspora in the Caribbean. The Chutney melodies and rhythms have evolved over the years to adapt to changes in technology and taste while moving forward with the strides in the Carnival industry, giving rise to the crossover genre of Chutney-Soca. However, Chutney still retains the frenetic rhythms of the dholak coupled with the melodic runs and soothing hums of the harmonium as well as traditional melodies and arrangements. At your fingertips is a library of authentic dholak, dhantal and harmonium samples and loops. Vocal samples of popular ad-libs and expressions also are included to help bring that instant flair to your productions.
The Tassa drums evolved from the North and Central Plains of India. The main instruments used are the Dhol or bass drum, the Caribbean equivalent of nagara known as the kutter drum, and the Jhanj cymbal. Tassa’s infectious rhythm has become synonymous with the celebration in the twin-island Republic. The thunderous bass accompanied by the piercing kutter awakens the body to move to its command. A mainstay at all traditional Indian weddings and festivities, the Tassa can now be adapted seamlessly into any audio production. Its infectious effect can be applied to any percussive ensembles and ideas.
Features
Access to over 3100 handcrafted music samples of:
  • Chutney
    • Harmoniums – 2 x – single strike x 3 velocity layers and modeled noises.
    • Dhatal –
      • Single Strike -1 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
      • Loops – Access over 12 signature rhythms(44.1KHz).

    • Dholak –
      • Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
      • Loops – Access over 52 signature rhythms (44.1KHz).

    • Ad-libs – 14 x – Chutney male and female Ad-libs.

  • Tassa
    • Kutter
      • Single Strike – 5 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
      • Loops – 63 signature rhythms(44.1KHz).

    • Dhol
      • Single Strike – 3 x – 2 microphone placements, 5 velocity layers, and 4 round robins).
      • Loops – 7 signature rhythms(44.1KHz).

    • Jhanj
      • Single Strike – 2 x – 2 microphone placements, 5 velocity layers, and 4 round robins.
      • Loops – 8 signature rhythms(44.1KHz).



  • All rhythms are tempo-aligned to improve playability.
  • Option to access speed, tuning, quantization, attack and hold features(Main Page).
  • Option to access reverse, chorus, phaser, reverb delay, and filter (FXPage).
  • Option to access the signature Indigisounds Breakaway loudness at the convenience of your fingertips.
  • Playback capability for music notation software and Digital Audio Workstations using NKS ready KONTAKT, KONTAKT PLAYER, KOMPLETE as a VST or AU plugin.

…..The possibilities for you the producer are endless…
在加勒比废除奴隶制之后,东印度契约劳工来到西印度群岛的大熔炉,带来了另一种文化。他们带来的最重要的元素是他们的音乐身份。东印度契约劳工主要来自印度斯坦地带,主要在特立尼达和多巴哥、苏里南和圭亚那种植糖种植园。
这个图书馆的样本包括西印度克里奥尔音乐创新史上出现的两个主要音乐子流派,这两个都是东印度移民在加勒比存在的结果。
丘特尼音乐是从比丘普里民间音乐演变而来的。使用的主要仪器是和声、丹塔尔和dholak。这种传统的甜甜圈声音是加勒比印第安人散居地的原创和有机表达的开创性形式。丘特尼的旋律和节奏经过多年的发展,以适应技术和口味的变化,同时推进在嘉年华行业的进步,产生了楚特尼-索卡的交叉流派。然而,Chutney仍然保留着dholak的狂热节奏,加上旋律的奔跑和舒缓的和声的嗡嗡声,以及传统的旋律和安排。在你的指尖是一个图书馆,正宗的dholak,dhantal和和声样品和循环。还包括流行广告和表达的声乐样本,以帮助将这种即时天赋带到您的作品中。
塔萨鼓是从印度北部和中原发展起来的。使用的主要乐器是Dhol或低音鼓,加勒比相当于那加拉被称为kutter鼓,和Jhanj cymbal。塔萨的感染性节奏已成为双岛共和国庆祝活动的代名词。雷鸣般的低音伴随着刺耳的口夜,唤醒身体移动到其命令。作为所有传统印度婚礼和庆祝活动的支柱,Tassa 现在可以无缝地融入任何音频制作中。其感染力可应用于任何打击乐合奏和思想。

特征
访问超过 3100 个手工制作的音乐样本:

切尼
和谐 = 2 x = 单击 x 3 速度层和建模噪声。
达塔尔 |
单击 -1 x + 2 个麦克风放置,5 个速度层和 4 个圆环。
环路 = 访问超过 12 个签名节律(44.1KHz)。
杜拉克 |
单次打击 = 3 x = 2 个麦克风放置、5 个速度层和 4 个圆环)。
环路 = 访问超过 52 个签名节律(44.1KHz)。
广告 - 14 x = 丘特尼男性和女性广告libs。
塔萨
库特
单次打击 = 5 x = 2 个麦克风放置、5 个速度层和 4 个圆环。
循环 = 63 个签名节律(44.1KHz)。
德霍尔
单次打击 = 3 x = 2 个麦克风放置、5 个速度层和 4 个圆环)。
循环 = 7 个签名节律(44.1KHz)。
詹杰
单击 = 2 x + 2 个麦克风放置、5 个速度层和 4 个圆环。
循环 = 8 个签名节律(44.1KHz)。
所有节奏都节奏对齐,以提高可玩性。
访问速度、调谐、量化、攻击和保持功能的选项(主页)。
访问反向、合唱、相位器、混响延迟和滤波器 (FXPage) 的选项。
在指尖方便时访问签名 Indigisounds 分离响度。
音乐符号软件和数字音频工作站的播放功能,使用 NKS 就绪 KONTAKT、KONTAKT PLAYER、KOMPLETE 作为 VST 或 AU 插件。
.....制作人给你的可能性是无穷无尽的...

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