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电影打击乐库 Laboratory Audio STRIKEFORCE KONTAKT

2019-12-31 15:43| 发布者: ajin| 查看: 379| 评论: 0

系统要求:PC/MAC
软件格式:KONTAKT
大小:17.3 GB
时间:2019年12月26日

STRIKEFORCE 规格
• 43 GB 未压缩(18.3 GB 的磁盘上,具有 NI 无损压缩)
• 129 孔塔克特仪器
• 12 个多预设

具有
• 72 种大组合乐器 (6vl 16rr)
• 11 大独奏乐器 (6vl 16rr)
• 12 个小鼓组合乐器 (6vl 16rr)
• 13 大斯纳雷合奏乐器 (6vl 16rr)
• 7 个独奏斯纳雷乐器 (6vl 16rr)
• 27 个独奏铁锤,每个带 (12rr)
• 8 个大铁锤组合 (12rr)
• 4 个较小的铁锤组合 (12rr)
• 14 个子动臂 (12rr)
• 21 时钟短金属声音 (32rr)
• 15 滴答声短金属声音 (2vl 32rr)
• 4 个影响菜单

功能
• 单个轮循机制选择器矩阵
• 2 轮循回放模式(串行 + 随机)
• 关闭和远混合,带有单个间距和 ADSR
• 5 个不同的鼓调谐每个组合 / 独奏补丁
• 每个调谐部分的单个平移

描述
STRIKEFORCE 是实验室音频的旗舰电影打击乐库,面向专业作曲家。STRIKEFORCE 在洛杉矶录制、混合和制作,专注于现代电影乐谱合奏打击乐声。实验室音频的团队只使用最好的音乐家和乐器来记录这个图书馆。

除了极高的音效/录音质量外,该库还提供了极大的便利性、功能性和易用性。实验室音频在界面上没有呈现多个未混合的麦克风位置,而是呈现了精心制作且每个动态层独特的紧密组合和远型混音。用户可以全局控制更近、更湿或更远的类型声音。两种混音听起来都很棒,并混合到电影音乐,所以他们坐在完美的混合。这种方法允许实验室音频将单个动态图层与独特的设置混合。例如,压缩比、EQ 和混响尾长从安静的动态图层更改为更响亮的动态图层。结果是非常音乐的,将立即融入任何程序材料。此外,一些乐器是通过记录每个动态层音乐家的尺寸越来越大而构建的。这方面的一个例子是,在ppp层有两个音乐家演奏,在fff动态层有10个音乐家演奏。因此,动态层不仅强度变化,而且在整体大小上发生变化。

此外,合奏和独奏打击乐的特点是在一个独特的新布局,允许用户去从一个较小的合奏(甚至独奏)的声音到一个大组/大合奏的声音在一个单一的补丁。有115个补丁,具有这种独特和非常酷的布局,并记录与6个动态层和16个循环。库中还包括各种铁锤命中、独奏和合奏、子动臂、冲击命中和金属滴答声 (32 rr)。

STRIKEFORCE 在洛杉矶的很多录音室、大厅、隧道、房间中录制在 192k 上,只使用最高质量的外向和机载设备进行混合。库以 24 位/48k 提供。
STRIKEFORCE specifications
– 43 GB uncompressed (18.3 GB on Disk with NI lossless compression)
– 129 Total KONTAKT Instruments
– 12 Multi Presets

Featuring
– 72 BIG Ensembles Instruments (6vl 16rr)
– 11 BIG Solo Instruments (6vl 16rr)
– 12 Small Drum Ensembles Instruments (6vl 16rr)
– 13 BIG Snare Ensemble Instruments (6vl 16rr)
– 7 Solo Snare Instruments (6vl 16rr)
– 27 Solo Anvils, each with (12rr)
– 8 Big Anvil Ensembles (12rr)
– 4 Smaller Anvil Ensembles (12rr)
– 14 Sub Booms (12rr)
– 21 Clockticks short metallic sounds (32rr)
– 15 Tick Tocks short metallic sounds (2vl 32rr)
– 4 Impact menus

Functionality
– Individual Round Robin Selector Matrix
– 2 Round Robin Playback Modes (Serial & Random)
– Close and Far Mix, with Individual Pitch and ADSR
– 5 Different Drum Tunings per Ensemble / Solo Patch
– Individual Panning per Tuned Section

Description
STRIKEFORCE is Laboratory Audio’s flagship cinematic percussion library geared towards the professional composer. Recorded, mixed and produced in Los Angeles, STRIKEFORCE focuses on the modern film score ensemble percussion sound. The team at Laboratory Audio used only the finest musicians and instruments for the recording of this library.

In addition to the extremely high sound/recording quality, the library presents great convenience, functionality and ease of use. Rather than presenting multiple unmixed mic positions on the interface, Laboratory Audio presents a close mix and a far mix that are meticulously crafted and unique per dynamic layer. The user has global control of a closer or a wetter or further away type sound. Both mixes sound great out of the box and were mixed to film music so they sit perfectly well in the mix. This approach allows Laboratory Audio to mix individual dynamic layers with unique settings. For example, the compression ratio, EQ and reverb tail length changes from quiet dynamic layers to louder dynamic layers. The result is very musical and will immediately blend in with any program material. In addition, some of the instruments were built by recording an increasingly bigger size of musicians per dynamic layer. An example of this would be that on the ppp layer there are two musicians playing and on the fff dynamic layer there are 10 musicians playing. Therefore, the dynamic layers not only change in intensity but also in ensemble size.

Furthermore, the ensemble and solo percussions are featured in a unique new layout that allows the user to go from a smaller ensemble (or even solo) sound to a large group / big ensemble sound within a single patch. There are 115 patches that feature this unique and very cool layout and are recorded with 6 dynamic layers and 16 round robins. Also included in the library are an assortment of anvil hits, solo and ensemble, sub-booms, impact hits and metallic tick tocks (32 rr).

STRIKEFORCE was recorded at 192k in many various recording studios, halls, tunnels, rooms in Los Angeles and mixed using only the highest quality outboard and onboard equipment. The library is delivered in 24bit/48k.

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