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钢琴音源 Fluffy Audio Scoring Piano Kontakt

2020-5-7 08:58| 发布者: ajin| 查看: 192| 评论: 0

系统要求:PC/MAC
软件格式:KONTAKT
大小:18.92 GB
时间:2020年4月28日

这种乐器将找到一个完美的地方,任何类型的配乐,像我的钢琴,爵士乐和古典音乐。我们特别考虑到了最柔软的动态。此外,由于我们的动态范围控制,这是很容易实现"托马斯纽曼"电影的声音。除此之外,得分钢琴功能一个伟大的动态范围,使您能够播放任何类型的音乐流派。

我们的新仪器具有大量的声音合成控制,EQ,混响,三个混合麦克风位置和踏板谐振和噪音控制。我们避免包括花哨的影响,如延迟,压缩机等。不仅孔塔克特的这些效果的质量是争论,而且我们只是瞄准一个伟大的自然声音钢琴。

同情共振
当您踩下减震器踏板时,您会听到更丰富的声音。这是所有字符串的交感共振,它们与您按下的音符有一些谐波。当玩没有踏板时,也会发生这种情况。如果一些音符已经下降,并且一些泛音与新音符是一致,它们就会产生共鸣。这些复杂的互动对于令人惊叹的生动钢琴声音至关重要。

自我遮蔽
在许多库中,当用踏板向下重复音符时,通常会保持累积,从而显著增加复音。这对 CPU 和磁盘流征税,还可能导致声音不一致(如相位)和明显的噪音底率上升。
我们的系统将每个音符与同一键上的上一个音符进行比较,并确定哪个音符最响亮。这不是一个简单的问题,因为最响亮的音符的衰减部分可能比较软音符的攻击更柔和。在脚本比较这两个注释后,它会通过慢慢淡入淡出它来丢弃最低值。

麦克风位置
该仪器具有三个麦克风位置:关闭、中端和远。关闭麦克风是我们最喜欢的,它们独特的暗声。中间麦克风与 Far 麦克风相结合非常出色。后者有助于整个组合的空间感。

由于这些原因,我们添加第四个混合位置听起来很自然:100%关闭,50%中和70%远麦克风。

This instrument will find a perfect spot for any kind of soundtrack and, like My Piano, for jazz and classical music. We have tried to take the softest dynamics particularly into account. Moreover, thanks to our Dynamic Range Control, it is very easy to achieve that “Thomas Newman” cinematic sound. In addition to this, Scoring Pianofeatures a great dynamic range, enabling you to play any kind of music genres.

Our new instrument features lots of sound crafting controls, EQ, Reverb, three mixable mic positions and controls for pedal resonances and noises. We have avoided to include fancy effects, like delay, compressor and so on. Not only the quality of these effects in Kontakt is up to debate but also we have simply aimed at a great natural sounding piano.

Sympathetic Resonances
When you strike a single note with the damper pedal down, you hear a richer sound. This is the sympathetic resonance of all strings having some harmonics in common with the note you have pressed. This happens also when playing without pedal. If some notes are already down and some overtones are in common with the new note, they will resonate. These complex interactions are essential to a stunning lively piano sound.

Self Masking
In many libraries, when repeating a note with the pedal down, sustains usually build up, thus increasing polyphony dramatically. This taxes CPU and disk streaming and it can also lead to sound inconsistencies, like phasing, and a noticeable noise floor rise.
Our system compares each note with the previous one on the same key and determines which is the loudest. This is not a simple problem as the decaying part of a loudest note can be softer than the attack of a softer note. After the script compares the two notes, it discards the lowest by slowly fading it.

Mic Positions
The instrument features three mic positions: Close, Mid and Far. Close microphones are our favourite, with their peculiar dark sound. Mid microphones are terrific in combination with Far mics. The latter contribute to a sense of space for the whole mix.

For these reasons, it sounded natural for us to add a fourth Mix position: 100% Close, 50% Mid and 70% Far mics.


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