The resulting saturation takes the user from subtle shaping to sonic oblivion, and everywhere in between. Head Crusher can add warmth, dimensionality, texture, and intensity! The Interface: Input / Output The input and output section includes the DRIVE, OUTPUT, CRUSH/TORTURE, CLEAN/ASSASINATE, and MIX parameters. DRIVE Turn up the drive, and turn up the vibe! This knob feeds the input signal into the analog circuits, taking you from subtle to severe! OUTPUT Dial in the right amount of output gain. This dial can be linear or non-linear, depending on the “CLEAN / ASSASINATE” control’s settings. CRUSH / TORTURE Pick how much signal the Drive control feeds into the analog circuits. CRUSH feeds the original input signal. Use CRUSH when you want more subtle saturation from the drive control. TORTURE doubles the level of the signal being fed into the circuit. Use TORTURE when you want a more obvious saturation effect. CLEAN / ASSASINATE Pick the behavior of the Output control. CLEAN adds linear transparent output control to HEAD CRUSHER. Use CLEAN when you wish to avoid further coloring the sound as you dial in the amount of output gain you need. ASSASINATE adds non-linear behavior to the output control through a proprietary combination of limiting and clipping. Use ASSASINATE when you need to drive the output signal. MIX Blends between the completely dry signal and the output of HEAD CRUSHER’s saturation circuits. Use MIX for parallel saturation effects, or to automate between fully wet and dry sounds. LOW CUT Continuously Variable Low Cut Filter. Use LOW CUT when you wish to filter out muddy frequencies. HIGH CUT Continuously Variable High Cut Filter. Use HIGH CUT when you wish to filter out harsh top end frequencies. Q Adds resonance to the Low Cut and High Cut filters. Use Q for creative sculpting of your audio. TONE A tilt eq circuit. Use TONE for fast sound sculpting to help you fit your sources into your mix. SC A side chain low cut filter with a range from 50 Hz to 500 Hz. Use SC when you wish to keep the low end from triggering saturation, similar to a side chain filter on many compressors. Circuits The Circuit section includes the AMERICAN, BRITISH, VINTAGE, PRISTINE, and RAZOR circuits, inspired 5 infamous circuit types famous for their saturation and overdrive effects when abused. These circuits are not directly modeled from physical hardware, but rather inspired by the magic of these units and approximated by ear for a more musical and unique saturation effect you won’t find elsewhere. AMERICAN Based on a famous American made console channel pushed to the extreme, AMERICAN’s saturation is great for emphasizing the midrange on high drive settings while bringing a subtle amount of character on more subtle settings. This circuit is warm, yet transparent. BRITISH Based on a famous British made console channel pushed to the extreme, BRITISH’s saturation is excellent for bringing out low end transients and fattening up the low midrange while smoothing out the top end. This circuit is punchy where it counts. VINTAGE Based on a tube console channel from the early days of recording technology, VINTAGE’s saturation is full of gooey character. With a smooth top end, and a subtle midrange bump, this circuit is great for removing harshness and adding vintage vibe to your DAW! PRISTINE Based on modern “uncolored” transistor based console preamp designs, PRISTINE’s saturation is excellent for adding the crunchy vibe of modern legendary units to your audio! This quality makes it excellent for aggressive styles of music! RAZOR Based on PRISTINE’s circuit on a bad day, RAZOR is an emulation of a transistor based circuit that’s in need of service. The resulting saturation is brutal, and the character of this circuit is somewhat more lo-fi and harsh. A great texture when you need it! Metering The VU Meter displays the peak value of the output, and includes ON and OVERSAMPLING. ON Brings HEAD CRUSHER in and out of bypass. When the light is on, HEAD CRUSHER is active. When the light is off, HEAD CRUSHER is in bypass OVERSAMPLING Activates HEAD CRUSHER’s internal oversampling algorithm. Compatibility Head Crusher is available in VST/VST3/RTAS/AAX and AU* on Mac & Windows in both 32 & 64 bit versions. *AU is only available on Mac. 头破碎机是一个饱和单元，让您将5个流行的模拟电路的味道推到极限。 由此产生的饱和度使用户从微妙的塑形到声音遗忘，以及两者之间的任何地方。 头破碎机可以增加温暖，维度，质感和强度！ 界面： 输入输出 输入和输出部分包括DRIVE，OUTPUT，CRUSH / TORTURE，CLEAN / ASSASINATE和MIX参数。 驾驶 转动驱动器，转动气氛！该旋钮将输入信号馈入模拟电路，使您从微妙到严重！ OUTPUT 拨出适量的输出增益。根据“CLEAN / ASSASINATE”控件的设置，此拨盘可以是线性或非线性的。 冲击 选择驱动控制馈入模拟电路的信号量。 CRUSH输入原始输入信号。当您想从驱动器控制中获得更微妙的饱和度时，请使用CRUSH。 TORTURE将馈入电路的信号电平加倍。当您想要更明显的饱和效果时，请使用TORTURE。 清洁/补充 选择输出控件的行为。 CLEAN向HEAD CRUSHER添加线性透明输出控制。当您希望避免在您拨打所需的输出增益量时进一步着色声音，请使用清洁。 ASSASINATE通过限制和限幅的专有组合将非线性行为添加到输出控件。需要驱动输出信号时使用ASSASINATE。 混合 完全干燥信号与HEAD CRUSHER饱和电路输出之间的混合。使用MIX进行平行饱和效果，或在完全干燥和干燥的声音之间自动化。 低胸 连续可变低切滤波器。当您想过滤出泥泞的频率时，请使用LOW CUT。 高切 连续可变高切滤波器。当您想过滤出苛刻的顶端频率时，请使用HIGH CUT。 Q 对低切和高切滤波器增加共振。使用Q创造性地雕刻您的音频。 音 倾斜eq电路。使用TONE进行快速的声音雕刻，以帮助您适应您的来源。 SC 侧链低频滤波器，范围为50 Hz至500 Hz。当您希望保持低端触发饱和时，使用SC，类似于许多压缩机上的侧链过滤器。 电路 电路部分包括AMERICAN，BRITISH，VINTAGE，PRISTINE和RAZOR电路，灵感来自5个臭名昭着的电路类型，因其饱和和超频效应而受到侵害。这些电路不是直接从物理硬件建模，而是灵感来自这些单元的魔法，并且由耳朵近似，以获得更多的音乐和独特的饱和效应，你不会在别的地方找到。 AMERICAN 基于一个着名的美国制造控制台渠道推动到极致，美国的饱和度是伟大的强调中档高驱动设置，同时带来微妙的数量的角色在更微妙的设置。这个电路是温暖而透明的。 英国 基于一个着名的英国制造控制台渠道推动到极致，英国的饱和度非常优秀，引出低端瞬变和肥胖低中档，同时平滑了顶端。这个电路是很重要的。 VINTAGE 基于从早期记录技术的管道控制台渠道，VINTAGE的饱和度充满了粘性。具有光滑的顶端和微妙的中音凸起，这个电路非常适合消除粗糙度，并为您的DAW添加复古气氛！ 精粹 基于现代“无色”晶体管的控制台前置放大器设计，PRISTINE的饱和度非常适合将现代传奇单元的脆弱氛围添加到您的音频中！这种质量使它非常适合侵略性的音乐风格！ 剃刀 基于PRISTINE的电路在不好的一天，RAZOR是一个需要维修的基于晶体管的电路的仿真。由此产生的饱和度是残酷的，而且这个电路的特性有点更加低劣和苛刻。一个伟大的纹理，当你需要它！ 测光 VU表显示输出的峰值，并包括ON和OVERSAMPLING。 上 使HEAD CRUSHER进出旁路。当灯亮时，HEAD CRUSHER活动。当灯熄灭时，HEAD CRUSHER处于旁路状态 过采样 激活HEAD CRUSHER的内部过采样算法。 兼容性 头部破碎机可在VST / VST3 / RTAS / AAX和AU *在Mac和Windows 32和64位版本。 * AU仅在Mac上可用。 |
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