Jaws is what we coined a ‘dynamic bitcrusher’. It has everything you would expect from a high-quality bitcrusher: bit reduction, sample rate reduction, a pre-amp, an input and output filter, and more. But it also features a host of modulation options. You can modulate the bit depth, the sample rate, as well as the mix. On top of that Jaws also has a resonant multi filter that you can modulate as well. That means you can use Jaws in the usual way: to add a little of the charm of the samplers from the 80s by reducing the bit depth or the sample rate. An input and output filter, a vintage colored pre-amp and u-law noise reduction make it possible to approximate this old school sound more closely. Or use Jaws to destroy your sound completely if you are more into ‘industrial’. But what Jaws is really about is that you can use all those effects in a creative, fluid way. With the Envelope Follower you can add more crunch to the loud parts of your track (or the softer parts). The LFO makes it possible to create all kinds of weird oscillating effects. If you use this subtly you can add some ‘jitter’ to the sound. On extreme settings you can really go through the roof, and alter the sound beyond recognition. Features the basics: bit reduction & sample rate reduction a multimode filter that can be applied pre or post all parts of the bitcrusher can be modulated: bit depth, sample rate, multi filter, mix modulatable with LFO, Envelope Follower, or a mix of both a simulated preamp that adds vintage coloration to the sound an adjustable input and output filter to remove more or less aliasing according to your wishes, or to which device you want to simulate. la modifiable bias, which enables you to slide between two different quantization methods a dither function for adjustable noise masking u-law algorithm (used in many 8-bit samplers for noise reduction, and still used in modern telecommunications) 'Knight Rider'-display for easy visual feedback on what's happening with the modulation 产品信息 γ “大白鲨”就是我们创造的“活力十足的泼妇”。它具备了你对一个高质量的比特流所期望的一切：比特率降低，采样率降低，前置放大器，输入和输出滤波器，等等。但它也有许多调制选项。您可以调节比特深度、采样率以及混合。在钳口的顶部还有一个共振多滤波器，你也可以调节。 这意味着你可以用通常的方法使用钳口：通过减少钻头深度或采样率来增加一点80年代采样器的魅力。一个输入和输出滤波器，一个复古的彩色前置放大器和U-律降噪，使它可以更接近这个老学校的声音。或者，如果你更喜欢“工业”，用下颚来完全破坏你的声音。 但《大白鲨》真正的目的是你可以用一种创造性的、流动的方式来使用所有这些效果。有了信封跟踪器，你可以增加更多的嘎吱声，你的轨道大声的部分（或较软的部分）。LFO可以产生各种奇怪的振荡效应。如果你巧妙地使用它，你可以在声音中添加一些“抖动”。在极端的环境下，你真的可以穿过屋顶，改变无法识别的声音。 特征 基础知识：比特约简和采样率约简 一种多模滤波器，可用于前置或后置 码速器的所有部件都可以进行调制：比特深度、采样率、多滤波器、混合 可与LFO、包络随动器或两者混合调节 一个模拟前置放大器，为声音添加复古色彩 一个可调节的输入和输出滤波器，可以根据您的意愿消除或多或少的混叠，或者您想模拟哪个设备。 LA可修改偏差，使您能够在两种不同的量化方法之间滑动。 一种用于可调噪声掩蔽的抖动函数 U-律算法（在许多8位取样器中用于降噪，在现代电信中仍使用） “骑士骑士”-显示方便的视觉反馈与调制发生的事情 |
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