No samples. No wavetables. Just synthesis. Period. - Two oscillators per voice (plus sub-period mixing), with triangle/saw, square/pulse, and trapezoid/saw continuous waveforms. - Seven parameters (five of which are modulatable) dictate sub-period mixing. - DADSR, AHDSR (with repeat), IADSR, and ADSR (host-syncable) envelopes simultaneously available. - Three LFOs per voice, each with swing. - Additional modulation from each oscillator, keyboard tracking, note velocity, random elements, and a unison ladder (with controllable asymmetry). - Drag-and-drop allows intuitive chaining, bypassing, and reordering of modulation assignments. - Visual elements generated dynamically for modulation assignments allow single-level GUI layout with no menus/pages. 很难想象一代音乐家受到重新制作上一代现在怀旧的乐器和声音的启发。或者我们都还在弹大键琴。或者在大键琴之前发生的任何事情。 没有样品。没有波表。只是合成。期。 - 每个声音两个振荡器(加上子周期混合),具有三角形/锯形,方形/脉冲和梯形/锯形连续波形。 - 七个参数(其中五个是可调制的)决定了子周期混合。 - 同时提供DADSR,AHDSR(带重复),IADSR和ADSR(主机可同步)包络。 - 每个声音有三个LFO,每个都有摆动。 - 来自每个振荡器的附加调制,键盘跟踪,音符速度,随机元素和同步梯(具有可控的不对称性)。 - 拖放功能可实现调制分配的直观链接,旁路和重新排序。 - 动态生成的用于调制分配的视觉元素允许单级GUI布局,没有菜单/页面。 |