The Vienna Concert Guitar is the only one of its kind. This hand-made instrument was specially constructed with an arched back put together from several pieces of wood. Its balanced, homogeneous sound allows it to stand its ground as a solo instrument as well as in accompaniment. Due to its polyphonic nature, the concert guitar presented a special challenge. Specifically, chords only sounded authentic when the chords themselves were sampled! After a three year production cycle for the orchestral sample libraries, the Vienna Symphonic Library team felt ready to take up this challenge, capturing all of the concert guitar’s versatility and its many playing techniques. The samples were “tamed” and made reproducible with the help of Vienna Symphonic Library’s unique Vienna Instruments algorithms.
The Vienna Concert Guitar became a reality through a combination of individual prerequisites: The project’s godfather, Thomas Meitz, in the framework of his concert guitar diploma, spent 1 1/2 years on developing the Library’s structure. Due to his practical background as a recording engineer and chief editing engineer of the Vienna Symphonic Library, he was able to realize his concept optimally and without compromise.
维也纳吉他音乐会是唯一的此类音乐会。这种手工制作的乐器是用几块木头的拱形背拼凑而成的。其平衡, 均匀的声音, 使其作为一个独奏乐器, 以及在伴奏立场。由于其复调性质, 音乐会吉他提出了一个特殊的挑战。具体而言, 只有当和弦本身被取样时, 和弦才听起来是真实的!经过三年的管弦乐样本库制作周期, 维也纳交响乐团团队感到准备迎接这一挑战, 捕捉所有的音乐会吉他的多功能性和它的许多演奏技巧。在维也纳交响乐团独特的维也纳仪器算法的帮助下, 这些样品被 "驯服" 并变得可重现。
维也纳音乐会吉他成为一个现实, 通过个人先决条件的组合: 该项目的教父, 托马斯梅茨, 在他的音乐会吉他文凭的框架内, 花了1年半的时间来发展图书馆的结构。由于他作为维也纳交响乐图书馆的录音工程师和首席编辑工程师的实际背景, 他能够以最佳方式实现他的概念, 而不妥协。
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