歌利亚V2 版本1.5.0 饱和度/动力学/均衡器 Goliath V2具有4条模拟模型处理链，其中包括带驱动控制的ALLOY（镍，铁，钢基变压器），TUBE，TAPE和VINYL，以及基于FET的包络线和3频段均衡器。 这是真正革命性的“模拟”发声工具。准备好惊喜！ 什么是新的 ？ Goliath，我们最畅销的插件又回到了具有全新声音引擎和新功能的全新头像中。 该插件现在具有4种饱和模型-带驱动器的合金，管，带和乙烯基。现在，我们使用具有自己专有的“多重卷积”和组件建模技术的Advanced DSP模型来模拟模拟齿轮的“真实”硬件链。此外，该插件现在在其信封部分具有一个完整的FET压缩器和一个3频段均衡器以及一个低切滤波器。 所有这些引擎使Goliath V2成为具有多种声音处理色彩的出色声音和多功能通道条。 如果您喜欢那种老式的模拟“天真”，那么Goliath V2就是您的最佳选择！ 模拟建模处理链部分 为了开发出逼真的逼真的模拟链，我们使用了专有的“多重卷积”和组件建模技术，使用了多个在不同级别敲击齿轮的样本。 因此，您实际上得到了齿轮的“ REAL”声音！ Goliath V2中的信号链为： 低切均衡器–>模拟处理选择器（4个选择）–>包络部分–>均衡器部分。 合金 这是一条模拟处理链，具有著名的英国1081声音，该声音的特征是其变压器由镍，铁，钢制成。 这使您尝尝干净的丝滑模拟处理。 管子 Tube链使用带有AIR回路的现代/经典阀门处理链进行建模。令人愉悦的声音将为您的材料带来二阶谐波。 磁带 在这里，我们使用了15ips的ATR – 700录音机来记录磁带的温暖和压缩情况。立即听到您的瞬变被“预热”，并获得三阶谐波饱和。 乙烯基塑料 这一功能具有一条连接到Neumann乙烯基切割机的模拟母带链和从配镜板上采样的多个IR。 最后，让您的唱片听起来像“唱片”！ 更多功能 DRIVE Control： 此控件可让您“驱动”为其各自的饱和特性选择的模拟链。级别保持不变，因此无需继续进行该输出控制。 轻击模拟信号，从轻触模拟链变为全驱动饱和。您控制我们的声音！ Env-EQ MIX：使用此控件可回拨Env-EQ部分之前的模拟链中信号的并行混合所使用的包络和EQ的数量。这可以作为ENV-EQ的干/湿控制。 输出控制：这使您可以控制从-inf到+10 DB的处理过程最终输出的增益。当大量压缩并且您最终需要信号增强或降低电平时，这很有用。 信封部分： ON / OFF开关：接合或绕过信封部分。 信封部分具有1176型FET压缩机，带有阈值控件和比率，起音时间和释放时间的固定控件。精心选择了“起音，释放和比率”，以适用于多种材料。鼓到钢琴或人声，您可以在此压缩器上扔任何东西，它可以轻松控制或积极抓取声音！ 阈值： 控制信封生效的阈值。 攻击：预编程的固定攻击时间从快速变为慢速。 释放：预编程的固定释放时间从快速变为缓慢。 比率： 固定比率，范围从2：1到“所有按钮进入”（粉碎比率）。 情商部分 ON / OFF开关：启用 或绕过EQ部分。 本节具有一个3频段均衡器和一个低切滤波器 低切滤波器：一阶低切滤波器，范围为20Hz至60Hz。 低均衡器： 将峰值滤波器均衡器设置为65 Hz，以将低频提升或降低+/- 10 DB。 Mid EQ： 将峰值滤波器Eq设置为1.5KHz，以将中频提高或降低+/- 10 DB。 高均衡器： 将峰值滤波器均衡器设置为15 kHz，以将高频提高或降低+/- 10 DB。 Goliath V2 Build 1.5.0 Saturation/Dynamics/EQ Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! Download Manual What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter. All these engines make Goliath V2 a great sounding & versatile channel strip with multiple colors of sound processing. If you love that vintage analog “goodness”, then Goliath V2 is for you! Analog Modelled Processing Chain Section In order to develop our fantastic and realistic sounding analog chains, we used multiple samples of hitting the gear at different levels using our proprietary “Multi Convolution” & Component Modelling Technique. Hence you actually get the “REAL” sound of the gear! The signal chain in Goliath V2 is : Low Cut EQ –> Analog Processing Selector (4 choices) –> ENVELOPE Section –> EQ Section. ALLOY This is an analog processing chain featuring the famous British 1081 sound which has characteristics of its transformer made of Nickel, Iron, Steel. This gives you a taste of that clean silky analog processing. TUBE The Tube chain is modeled using a modern/ classic valve processing chain with an AIR circuit. An immediately pleasing sound that will bring 2nd order harmonics to your material. TAPE Here we have used the ATR – 700 Tape Recorder at 15ips to capture that warmth and compression of Tape. Immediately hear your transients being “warmed” up and also get third-order harmonic saturation. VINYL This one features an analog mastering chain going to a Neumann vinyl cutting machine and multiple IRs sampled from the dubplate. Finally, get your record to sound like a “Record”! More Features DRIVE Control: This controls lets you “drive” the analog chain selected for its respective saturation characteristics. The levels remain the same, hence there will be no need to keep reaching for that output control. Go from a light touch of the analog chain to full-on driven saturation by hitting the signal hard. You control our sound! Env-EQ MIX: Use this control to dial back the amount of Envelope and EQ used by parallel mixing in the signal from the analog chain before the Env-EQ sections. This acts as a kind of dry/wet control for the ENV-EQ. OUTPUT Control: This lets you control the gain of the final output of the processing from -inf to +10 DB. It’s helpful when compressing a lot and you need a signal boost at the end, or for cutting back the levels. ENVELOPE SECTION: ON/OFF Switch: Engage or bypass the Envelope Section. The Envelope Section features an 1176 style FET compressor with controls for Threshold and fixed controls for Ratio, Attack Time & Release Time. The Attack, Release, and Ratios were carefully chosen to be applicable to a vast variety of materials. Drums to Pianos or Vocals, you can throw anything at this compressor and it will lightly control or aggressively grab the sound! Threshold: Controls the threshold for the Envelope to kick into action. Attack: Preprogrammed fixed Attack times going from Fast to Slow. Release: Preprogrammed fixed Release times going from Fast to Slow. Ratio: Fixed ratios ranging from 2:1 to “ALL Buttons In” (Smashing ratio). EQ SECTION ON/OFF Switch: Engage or bypass the EQ section. This Section features a 3 band Eq and a low cut filter Low Cut Filter: First Order Low Cut Filter ranging from 20Hz to 60Hz. Low EQ: A peak filter Eq set at 65 Hz for boosting or cutting the low frequencies by +/-10 DB. Mid EQ: A peak filter Eq set at 1.5KHz for boosting or cutting the mid frequencies by +/-10 DB. High EQ: A peak filter Eq set at 15 kHz for boosting or cutting the high frequencies by +/-10 DB. |
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