介绍TASM 由融合红外供电 |合成 光泽板是一个丰富和豪华的当代板设计与七个独特的模型。时态声学光谱映射 （TASM） 使用专有的多波段动态捕获和分析方法，允许对每个板的自然衰减进行前所未有的频率特定分析，然后映射到高级混响合成算法中。 这不仅再现了真实硬件板的均匀扩散和美丽的光谱衰减，还受益于具有经典的算法混响参数，允许微调的方式，你从来没有能够与任何其他板仿真，包括精确控制频率分散，宽度和调制。 七个丰富而美丽的盘子 七个模型的每一个模型都是根据从真实板进行大量测量后设计的，因此它们都有独特且非常逼真的混响音。 Chrome：具有经典板多波段衰变轮廓的丰富、饱满的板 银色：一个轻，通风板，除重低中，以提高清晰度 钢：在性质上与低带衰减时间缩短的镀铬板相似 钠：明亮而丰富，具有非常中性的衰变轮廓 氦：一种非常反光、有光泽的金属，用明亮的色调激发盘子 科博米特：一个非常密集和沉重的板 虹膜：非常密集，具有高度强调的低衰变轮廓 精确建模 板块混响中频率的分散在其声音中起着至关重要的作用。这是板混响听起来如此独特的主要原因，特别是在它影响瞬变的方式方面。一个板的鞭子像开始是特别可听见的打击乐材料，非常适合吉他和人声赋予一个独特和非常理想的声学签名混响。 这是因为声音以不同的速度通过金属板，具体取决于其频率。类似于棱镜空间将光分割成不同的颜色，一个板通过延迟不同频率的不同数量来暂时分散声音。低频通过金属的传输相对缓慢，因此延迟比高频多。 用频率模拟延迟的变化速率对于实现令人信服的板色散音至关重要。在真正的板材分散中，很大程度上取决于其尺寸和拾取位置，但其他因素，包括建筑材料、张力、安装因素等都有所作为。光泽板中每个板的模拟色散量可通过单个"频率分散"参数进行控制，实现快速而强大的结果。 带精密控制 调制混响 光泽板的融合-IR合成引擎能够完全调节其混响在一个非常自然，有机的方式。它不会诱发任何不切实际的合唱或其他混响的颜色，也不损害衰变分析的任何方式。通过深度控制，可控制从低到高的调制量，并使用速率控制设置调制速度。通过将速率设置为其最小值，可以完全绕过调制，从而产生传统的静态混响。 节奏混响 混响的预延迟可以设置以毫秒为单位，或者单击节拍器按钮以相对于当前项目节奏设置它，以将混响同步到歌曲的节拍。 唯一宽度控件 Lustrous 板产生的空间感由其宽度和长度控制，可从单声道到完全装饰相关的真实立体声空间（无相位或单声道兼容性问题），从而高度控制混响在混音中如何进行。 Introducing TASM Powered by Fusion-IR | Synthesis Lustrous Plates is a rich and luxurious contemporary plate design with seven distinctive models. Temporal Acoustic Spectral Mapping (TASM) uses a proprietary multi band dynamic capture and analysis method which allows an unprecedented frequency specific profiling of each plate’s natural decay, which is then mapped into an advanced reverb synthesis algorithm. This not only reproduces the even diffusion and beautiful spectral decay of real hardware plates, but it also gains the benefit of having classic algorithmic reverb parameters which allow fine tuning in ways that you’ve never been able to with any other plate emulation including precise control of frequency dispersion, width and modulation. Seven Rich and Beautiful Plates Each of seven models was designed following extensive measurements taken from real plates, so all have a distinctive and very realistic reverberant tone to them. Chrome: A rich, full bodied plate with a classic plate multi-band decay profile Silver: A light, airy plate with de-emphasised low-mids for enhanced clarity Steel: Similar in nature to the chrome plate with a reduced low band decay time Rhodium: Bright and rich, with a very neutral decay profile Beryllium: A very reflective, lustrous metal inspiring a plate with a bright tone Corbomite: A very dense and heavy plate Iridium: Very dense, with a highly emphasised low decay profile Precisely Modelled The dispersion of frequencies within a plate reverb plays a critical role in its sound. It is a major reason why a plate reverb sounds so distinctive, in particular with respect to the way it affects transients. A plate’s whip like onset is especially audible with percussive material, and is very well suited to guitars and vocals bestowing a unique and very desirable acoustic signature to the reverb. This happens because sound travels through a metal plate at different speeds depending on its frequency. Similar in effect to a prism spatially splitting light into different colours, a plate temporally disperses sound by delaying different frequencies by different amounts. Low frequencies travel relatively slowly through the metal so are delayed more than the high frequencies. Simulating the delay’s rate of change with frequency is crucial to achieving a convincing plate dispersion tone. In a real plate dispersion is largely determined by its dimensions and pick-up positions, but other factors including the construction material, tension, mounting factors and so on all make a difference. The amount of simulated dispersion for each plate in Lustrous Plates is all controllable via a single ‘frequency dispersion’ parameter for quick and powerful results. With Precision Control Modulated Reverb Lustrous Plate’s Fusion-IR Synthesis engine is capable of fully modulating its reverb in a very natural, organic manner. It does not induce any unrealistic chorusing or other colourations of the reverb, and does not compromise the decay profiling in any way. The amount of modulation can be controlled from low to high with the depth control, and the speed of modulation is set using the rate control. Modulation can be bypassed entirely by setting the rate to its minimum value resulting in a traditional static reverb. Rhythmic Reverberation The pre-delay of the reverb can be set in milliseconds, or click the metronome button to set it relative to the current project tempo to sync the reverb to the beat of the song. A Unique Width Control The sense of space generated by Lustrous Plates is controlled as much by its width as by its length, and can be set from mono right up to a fully decorrelated true stereo spaces (without phase or mono-compatibility concerns) giving a high degree of control over how the reverb sits within the mix. |
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