AR-1 的声音 AR-1是一种可变木管压缩机，其根部在摇滚的50后喧闹的声音，但它享有豪华，喝茶的英国形象，由于它在修道院路工作室在60年代末的使用，特别是在后来的披头士和早期的平克弗洛伊德记录。库什煞费苦心地捕捉到了AR-1的强管被驱动到污垢的甜蜜分手，然后增加了超过六个重要的UI和功能增强。生成的仿真与原始模拟一样厚实，并且更灵活 10 倍。 首先，您可以查看控件（!!!）。该版本是完全可变的（而不是阶梯），攻击和释放的设置速度可以明显快于原始硬件，允许更广泛的压缩"声音"和纹理。 但AR-1的真正魔力在于引擎盖下，新的算法，逐步库什的数字压缩机技术前进。关于插件压缩器（以及一般数字声音）最常见的抱怨之一是它们"太快了"。即使插件的攻击时间与硬件相同，它通常听起来也明显不同，导致瞬变过于明亮，而缺乏低端冲击。 Kush 已经使用我们最敏感的测量设备（UBK 的耳朵）解决了这个问题，不仅能够控制速度，还控制攻击和释放的锥度。因此，AR-1是一个温柔的野兽，仍然能够烹饪一个美味的烧焦脆的声音。"温暖"和"平滑"——可以说是音频界使用最过度的营销术语——确实适用。所以要冒险，看看她会带你去哪里！ THE SOUND OF AR-1 AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible. For starters, you get to see the actual values of the controls (!!!). The release is fully variable (as opposed to stepped) and both attack & release can be set significantly faster than the original hardware, allowing for a much wider range of compressive ‘voices’ and textures. But the real magic of AR-1 lies under the hood, with new algorithms that step Kush’s digital compressor technology forward. One of the most common complaints about plugin compressors (and digital sounds in general) is that they’re “too fast”. Even when a plugin’s attack time measures identical to the hardware, it generally sounds markedly different, resulting in transients that are excessively bright while lacking in low end impact. Kush has addressed this by using our most sensitive measuring equipment — UBK’s ears — to obsessively tune not just the speed, but also the taper of the attack and release. As a result, AR-1 is a gentle beast that’s still capable of cooking a sound to a deliciously charred crisp. ‘Warm’ and ‘Smooth’ – arguably the most overused marketing terms in the audio world – really do apply. So be adventurous, and see where she’ll take you! |
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