传奇模拟台宿主 Harrison Mixbus 32C v5.0.208 版 PC MAC

2020-4-13 14:11| 发布者: ajin| 查看: 462| 评论: 0|原作者: ajin

系统要求:PC/MAC
软件格式:独立运行的音乐制作软件,64位
大小:PC,99mb;MAC,277.29MB
时间:2018年10月6日

Over the last 40 years, Harrison consoles have earned an enviable reputation for excellence throughout the world. This is no accident. Such a level of acceptance can only be gained as a product proves its maturity through performance in the field. This real-time reputation is, without a doubt, the best measure of a product's true worth. For example, the world renowned Harrison 32C analog console was used on records by Michael Jackson "Thriller", Paul Simon "Graceland", Janet Jackson, AC/DC, ABBA, Queen, Led Zeppelin, ELO, Genesis, Blondie, and Supertramp, to name a few, and was instrumental in establishing the sound of those amazing records. Many of those consoles are still in operation throughout the world.

Bobby Owsinski on Mixbus: "Within the first 5 seconds I knew! That's all it took. It's like; Oh yeah, this is better. It was big, it was fat, it was round, it was analog. It had an analog feel to it and you could tell immediately! Immediately it was there, without doing anything.

Mixbus32C is a full-featured workstation with a recreation of the Harrison 32C mixer.

Mixbus32C provides professional-level features to import or record an unlimited number of audio or MIDI tracks to your computer; then edit, mix and master your production.

Operational Advantages
Because of the way the Mixbus32C mixer page is laid out, the most commonly used controls are displayed and are accessible at all times using a rich, high contrast, GUI design that gracefully and accurately emulates the original hardware version of the Harrison 32C console. This traditional layout not only looks good but allows the engineer to approach the console as if it were a musical instrument, directly affecting the art of mixing and contributing greatly to the success of any given mix.

Analog Performance
Harrison has pioneered the use of high performance computer technology over the last 20 years to provide unmatched processing power in the world's largest mixing environments. By keeping up with these incremental technological steps through the decades, Harrison can now faithfully emulate the beautifully designed analog signal processing designs of the past and incorporate them into a full function "True Analog" mixing console within the digital audio workstation environment.

More Equalization
Each Mixbus32C channel strip incorporates an exact emulation of the original Harrison 32C parametric four-band sweepable EQ with a separately switchable filter section including second order high-pass and low-pass filters. Every resistor, capacitor, and transistor was modeled. To run this complex DSP on every channel strip was impossible just 5 years ago.

More Buses
Mixbus32C provides 12 stereo mix buses, each with individual level control, latency compensation, and associated master channel incorporating the highly successful Harrison tape saturation, bus compression, and tone control functionality.

A Partial list of Mixbus32C features:

Straightforward "knob per function" mixer layout based on Harrison's renowned music consoles.
Precise emulation based on Harrison's famous analog console circuit designs.
Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.
The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible.
Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts. (limited only by CPU and disc speed).
Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.
Polarity, Input trim, Sweepable 4-band EQ with second order HP and LP filters, Compression, and 12 mix bus sends on every track
Mixbus32C has an optimized signal flow with 12 stereo mix buses and a master bus, all featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation simulation
Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.
Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.
Comprehensive "at-a-glance" metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
Extensive DAW editing features including "Smart Tool", Ripple Edit, and configurable keybindings for nearly every operation.
Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX; and both VST and LV2 plug-ins on all platforms.
Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync; video pullup/pulldown.
Persistent undo (undo remains possible after closing and reopening a session).
Fourth-generation Harrison "True Analog Mixing™" processing engine with enhanced compressor/limiter algorithms; built-in sidechain bussing, and increased plug-in flexibility.
Support for video timeline, video window, and audio+video exports.
Recording operates like a tape machine: Punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine.
Extensive export features including multitrack stem export, simultaneous multi-format exports, multiple export ranges, CD track markers, silence trimming, normalization, and command-line arguments to trigger third-party encoders or file-management scripts.
Audio regions are stacked in "layers", and every region fadein/out is a crossfade to the region(s) beneath it.
Plugin "pin connection management" provides rich editing of signal-flow through each channel's path, including full support for dual mono, mono-to-stereo, sidechaining, and other advanced flows.
The user interface scales to fit your monitor; larger monitors will get bigger knobs and sharper text.
Refined workflow and graphics, including scaling and support for HiDPI (Retina) displays.
Generic MIDI devices can use "MIDI Learn" to assign MIDI controls directly to on-screen knobs or use MIDI profiles to select many pre-configured device layouts from a pull-down menu.
Mackie control protocol is provided for motorized fader controllers, and the Mackie protocols have been extended to ergonomically control the Mixbus channelstrip EQ, compressor, and 8 mixbus sends. Dedicated support is provided for popular devices like the Presonus Faderport, Mackie MCU, and Behringer X-Touch controllers.
OSC (Open Sound Control) protocol supports ethernet-based wireless tablet controllers such as TouchOSC and Lemur for iOS and Android to remote-control Mixbus.
Lua Scripting: Use the Lua scripting language to automate tasks such as track creation, renaming tracks, adding plugins, or creating "macro" operations.
VCA Faders: Use VCA faders to control multiple channel faders at once. A fader can be assigned to multiple remote VCA faders, adding another powerful dimension of control and organization to your mixes.
Tempo Ramps and Tempo Maps: Use advanced features to map your live recording's tempo and structure (no need to record to a click!) – or import a tempo map from MIDI.
Included Plugins:
General-MIDI synthesizer and 2 multi-output sampled drum instruments help you arrange a song immediately, without any other plugin instruments.
Over 25 realtime MIDI-filter plug-ins for transposing, velocity scaling, delay effects, channel changing, etc.
"SetBfree", a lovingly modeled Tonewheel Organ by x42.
Harrison's Dyno-Mite envelope-designer plug-in for drums.

在过去的40年里,哈里森的控制台赢得了全世界优秀的声誉。这不是偶然的。这样的接受程度只能通过产品在现场的表现来证明其成熟程度。毫无疑问,这种实时声誉是衡量产品真实价值的最佳尺度。例如,世界著名的哈里森32C模拟控制台曾被迈克尔·杰克逊《颤栗》、保罗·西蒙·格雷斯兰》、珍妮特·杰克逊、AC/DC、ABBA、女王、齐柏林飞艇、ELO、创世纪、布隆迪和Supertramp等人用于录音,并有助于建立这些亚马逊人的声音。NG唱片公司这些控制台中的许多仍在全世界运行。

Bobby Owsinski在MixBUS:“在我知道的前5秒!这就是全部。这就好比,哦,是的,这更好。它很大,很胖,是圆的,是模拟的。它有一个类似的感觉,你可以立即告诉!它立刻就在那里,什么也没做。

MixBuS32 C是一个全功能工作站与娱乐哈里森32 C混频器。

Mixbus32C提供了专业级别的特性,可以向计算机导入或记录无限数量的音频或MIDI磁道;然后编辑、混合和掌握您的产品。

操作优势
由于Mixbus32C混合器页面的布局方式,显示最常用的控件,并且始终可以使用丰富、高对比度的GUI设计,该设计优雅且准确地模拟了Harrison 32C控制台的原始硬件版本。这种传统的布局不仅看起来不错,而且允许工程师接近控制台,就好像它是一种乐器一样,直接影响到混合的艺术,并对任何给定的混合的成功作出很大贡献。

模拟性能
在过去的20年中,哈里森率先使用高性能计算机技术,在世界最大的混合环境中提供无与伦比的处理能力。通过几十年来跟上这些技术进步的步伐,哈里森现在可以忠实地模仿过去设计精美的模拟信号处理设计,并将它们整合到数字音频工作站环境中的一个全功能“真模拟”混合控制台中。。

更多均衡
每个Mixbus32C通道条都包含对原始Harrison 32C参数四波段可扫描EQ的精确仿真,该EQ具有包括二阶高通和低通滤波器的独立可切换滤波器部分。每个电阻器、电容器和晶体管都是模型化的。在5年前,在每个通道上运行这个复杂的DSP是不可能的。

更多公共汽车
Mixbus32C提供12条立体声混合总线,每条总线具有单独的电平控制、延迟补偿和相关的主信道,其中包含非常成功的Harrison磁带饱和、总线压缩和音调控制功能。

MixBuS3C特性的部分列表:

直截了当的“旋钮每功能”混频器布局基于哈里森的著名音乐控制台。
基于哈里森著名模拟控制台电路设计的精确仿真。
EQ、滤波器、压缩、模拟磁带饱和和求和的精确算法。
混合总线引擎内部是抖动,斜坡和增益阶段,以便声音质量保持尽可能接近模拟。
无限的立体声或单声道输入通道,每个都有无限的插件,发送和硬件插入。(仅限于CPU和磁盘速度)。
无限MIDI轨道,每一个虚拟仪器支持,无限的插件,发送和插入。
极性,输入修剪,可擦除四波段EQ与二阶HP和LP滤波器,压缩和12混合总线发送在每个轨道上
Mixbus32C具有优化的信号流,包括12个立体声混合总线和一个主总线,所有功能都具有音调控制、压缩、侧链和模拟磁带饱和仿真
立体声主总线具有音调控制、模拟磁带饱和、K表、立体声相关计和限幅器。
自动插入延迟补偿,以支持诸如并行压缩的效果,没有时间偏差。
全面的“一目了然”计量,峰值,峰值保持和压缩机增益减少可见在每一个轨道和公共汽车。
广泛的DAW编辑功能,包括“智能工具”,纹波编辑,以及可配置的键绑定几乎每一个操作。
工业标准插件支持:OSX上的Mixbus loads AudioUnit(AU)插件;以及所有平台上的VST和LV2插件。
Mixbus提供诸如响度分析(dBTP+LUFS+LU范围)、LTC(SMPTE)生成和同步、视频上拉/下拉等专业特性。
持久撤消(撤消在关闭和重新打开会话之后仍然是可能的)。
第四代Harrison“True模拟混合”处理引擎,具有增强的压缩器/限制器算法;内置侧链总线,以及增加的插件灵活性。
支持视频时间线,视频窗口,音频+视频输出。
录音工作就像磁带机:穿孔

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