概述 原来的Klein & Hummel Ue-100® EQ 是非常罕见的和昂贵的。但拉法 · 萨迪纳 - 谁有 12 个格莱美奖和 35 个提名 - 拥有其中 10 个！ 这个怪异而美妙的装置有什么特别的？ 一段时间，硬件均衡器必须针对每个特定用途进行开发，要求工程师将不同的 EQ 类型组合到一个信号链中，以实现在任何给定源上所需的频率响应。在对待这些声音时，他们将不得不接受由此产生的相和互调失真的必要邪恶。当在 1961 年发布时， 克莱因和胡梅尔 Ue - 100 通用均衡器改变了这一切。 此全管最小相位 EQ 使用六个离散滤波器模块创建带通滤波器集合，可为从源混合到声乐跟踪到母版的任何应用创建动态曲线。虽然早期的一些 UE-100 用于透明地过滤掉垃圾低频和高频时打印到磁带和乙烯基，它很快变得司空见惯，利用独特的按钮频率选择;这提供了一个简单的方法，不仅调用设置，但也改变他们飞行，同时记录性能。UE-100 以其音乐温暖的曲线和精确的响应而闻名，通过提升和/或跨越频谱来塑造声音"就像类固醇上的 Pultec"，从而提供了无数的可能性来治疗频率。 K&H 的管供电通用声音和创新行为现在以插件形式提供给您。Lindell TE-100 是原始硬件 EQ 提供的所有甜味和咸味频率处理的严格模拟。到接口上的按钮和全管滤波器旁路，TE-100 以完美无暇的现实主义重新创建这一德国音频历史。只是现在，一对立体声不会花费你10，000美元。 在 TE-100 的每一端用低通和高通滤波器处理声音，然后在四个关键频率之一（圆圆或高 Q 质架带）中提升，以增加机身和存在。在 TE-100 的中段创建双参数带通滤波器，快速带出您声音的真实特征。按钮频率选择器通过聚焦滤波器的每个角频率，使这些频率更靠近或更远，同时让您的耳朵引导您的混音决策，为塑造频率响应提供了独特的方式。 TE-100 插件还增加了一些有用的额外功能，有助于改善数字环境中的工作流程：通过利用电平校准、内部过采样调整以及添加从原始单元获得的额外色调着色和噪声底数的模拟模式，对各种混合情况保持完全控制。以 0.5 dB 步数进行精确增益调整，将原始硬件的旋钮提供的 2 dB 到 3 dB 分辨率进行对比。借助 Lindell TE-100，原始通用均衡器的遗留功能可以以方便的数字形式带给您的 DAW，并始终如一地使用硬件。 法律免责声明： 克莱因和胡梅尔、 K & H 和 Ue - 100 是 Gmbh Sennheiser 的注册商标。TE-100 是由林德尔音频公司基于自己的建模技术开发的。Sennheiser 没有以任何方式认可或赞助 TE-100，也没有许可任何知识产权用于本产品。 特征 忠实地模拟所有管和变压器电路从克莱因和 Hummel Ue - 100 年份均衡器的 60 世纪 八个频段允许您雕刻和定制组合中关键频率的完美响应 温暖的管饱和和乐队从经典的德国 Rundfunk （广播） EQ 创建动态频率响应曲线，同时切割和提升 - 像类固醇上的 Pultec 录音史上最抢手的管均衡器之一。硬件包含不少于 14 管！ OVERVIEW The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina - who has 12 Grammy wins and 35 nominations - owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.” That tube-powered universal sound and innovative behavior from K&H is now available to you in plugin form. The Lindell TE-100 is an exacting emulation of all the sweet and savory frequency treatment offered by the original hardware EQ. Right down to the pushbuttons on the interface and the all-tube filter bypass, the TE-100 re-creates this piece of German audio history with immaculate realism. Only now, a stereo pair won’t cost you $10,000. Hone in on your sound with low and high pass filters at each end of the TE-100, then boost at one of four critical frequencies with rounded or high-Q shelf bands to add body and presence. Create dual parametric band-pass filters in the TE-100’s mid section to quickly bring out the true character of your sound. The pushbutton frequency selectors offer a unique way to shape your frequency response by focusing on each corner frequency of a filter and moving those frequencies closer or further apart while letting your ears guide your mix decision. The TE-100 plugin also adds a few useful extra features that help improve workflow in the digital environment: Maintain full control across a variety of mix situations by taking advantage of level calibration, internal oversampling adjustment, and an analog mode that adds additional tone coloration and noise floor taken from the original unit. Dial in precise gain adjustments in 0.5 dB steps, contrasting the 2 dB to 3 dB resolution available through the knobs of the original hardware. With the Lindell TE-100, the legacy of the original Universal Equalizer can be brought to your DAW in a convenient digital form that stays true to the hardware. Legal Disclaimer: Klein & Hummel, K&H, and UE-100 are registered trademarks of Sennheiser, GMBH. The TE-100 was developed by Lindell Audio based on its own modeling techniques. Sennheiser has not endorsed nor sponsored the TE-100 in any manner, nor licensed any intellectual property for use in this product. FEATURES Faithful emulation of the all tube and transformer circuit from the Klein & Hummel UE-100 vintage equalizer of the 60's Eight bands allow you to carve and customize the perfect response for critical frequencies in your mix Warm tube saturation and musical bands from the classic German Rundfunk (Broadcasting) EQ Create dynamic frequency response curves that simultaneously cut and boost – like a Pultec on steroids One of the most sought after tube equalizers in the history of recording. The hardware contains no less than 14 tubes! home.php?mod=space&uid=1&do=blog&id=3149 |
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