概述 Phil 的 Cascade 基于高度深奥的老式组件，组合在真正独特的电路中。它绝不是你典型的音频处理器。菲尔的级联是一个惊人的工具箱，这将打开世界创造最有趣的声音口味。 这种方法的美妙之美是，它不必遵守任何规则。Phil 的 Cascade 使用非常有趣的 NOS（新旧股票）组件，这些组件在音频应用中是标准配置的一切，而新颖的电路是自己创造性的庆祝。总之，这为您提供了创造真正精彩、新声音和闻所未闻声音的完美基础。 现在，您可以放心地为虚拟和天然乐器增添情趣，将标准声音与各种坚韧、有机和老味转换。没有正确或错误的设置：饱和度、谐波、失真、着色、滤波、交互、任何去向，以及实验是鼓励的，因为它是有益的。 与迄今为止发布的每个爱丽舍宫插件一样，Phil 的 Cascade 也以真正的模拟硬件为模型。然而，这一个已经专门计划，设计和建设成为一个插件！对电路和组件行为进行艰苦的分析和建模最终使这个怪物变得可用于您的DAW。 只能有一个。真可惜，但可以放心，硬件永远不会进入批量生产。大多数零件非常罕见，它们只持续几个单位，环境限制禁止将它们用于新产品，至少可以说，这种野兽的价格点也会要求很高。 菲尔的 Cascade 的所有组件都是我们孩子（甚至还不是出生）时由飞利浦、斯普拉格、Erdmet、Wima 和 PSW 等传奇品牌制造的，这些品牌都是新旧股票中最好的。 特征 组件 体验真正的复古声音善良从21世纪的设备依赖于 A） 独家使用组件几十年前和 B） 使用它们在老派拓扑与一些有趣的扭曲。 变压器 飞利浦于 1975 年制造的 NE 和 NX 系列变压器实际上从未打算用于音频环境。然而，第一次实验很快发现，它们的表现就像真正的摇滚明星一样，现在形成了形成菲尔级联独特声音的核心成分。这个信号路径上肯定有很多铁！ 管 除了少数管类型，仍然可用于批量生产这些天，兔子孔的怪异，惊人的，是的，神奇的NOS管不可能更深。ECC91、EF183 和 EF86 都是飞利浦很久以前制造的，除了您典型的音管，它们就是您典型的音管，正是它们如此有价值之处，因为它们的特殊声音签名简单明了，独一无二。 权力 硬件#1：任何音频设备的核心应是其电源！Phil 的 Cascade 使用的 12 磅功率变压器最初来自老式泰克测量设备，即使在这种设备完全基于管子时，它还是幸存下来的。其许多绕组和水龙头，这个母舰的变压器是完美的多管驱动项目。 电容器 旧的电解帽真的很烂。然而，这些仍然处于最佳状态。在公司被 Vishay 收购之前，由 Roederstein （ROE） 制造，当时甚至"更小"的产能也占用了相当大的足迹。无论如何，这批真正美丽的帽子提供了菲尔的级联所需的所有容量 - 然后一些！ 旋转帽 多么令人惊叹的工程艺术啊！像这样旋转电容器用于旧管式无线电。实现一个函数的野兽。规模是特别惊人的这一个，作为一个美妙的细节，它是背光由一个小E10灯泡。经过一点点修改，这个历史性的作品成为中央增益控制器和菲尔的级联指标。 旋钮 菲尔的级联是由一套正宗的烤石旋钮控制，几十年前在美国制造。这批旋钮中只有几个旋钮（幸运发现）处于如此大的状态，只显示出各自年龄的迹象，但没有出现明显的变色或裂缝。与赔率，不仅两个不同的大小，但也一个单一的开/关旋钮被发现在尘土飞扬的旧盒子内。 光 锦上添花。这种试灯是20世纪50年代左右制造的非常罕见的新旧股票。它闪耀着真正重要的光线形状，它完全适合为菲尔的级联设计的专属外壳的美学。但最疯狂的方面是光强，可以机械地变暗，直到镜头中间的一个超小点仍然存在。 OVERVIEW Phil's Cascade is based on highly esoteric vintage components combined in a truly unique circuitry. It is anything but your typical audio processor. Phil’s Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. The beauty of this approach is that it did not have to follow any rules at all. Phil’s Cascade uses very interesting NOS (New Old Stock) components which are everything but standard in audio applications, and the novel circuitry is a creative celebration of its own. All in all, this gives you the perfect basis for creating truly wonderful, new and unheard sounds. Now you can spice up virtual and natural instruments at ease, transmuting standard sounds with all kinds of gritty, organic and aged flavours. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction, anything goes, and experimenting is as much encouraged as it is rewarding. Like every elysia plugin released so far, Phil‘s Cascade has been modelled on real analogue hardware. However, this one has been exclusively planned, designed and built to become a plugin! Painstaking analysis and modelling of circuit and component behaviors finally made this monster become available for your DAW. There can be only one. What a pity, but you can rest assured that the hardware will never go into serial production. Most of the parts are so rare that they would last for just a handful of units, with environmental restrictions forbidding to use them in new products anyway, and the price point for this beast would be pretty demanding as well, to say the least. All components used for Phil‘s Cascade were made when we were kids (or not even born yet) by legendary brands like Philips, Sprague, Erdmet, Wima and PSW the very best of New Old Stock. FEATURES Components Experiencing true vintage sound goodness from a 21st-century device relies on A) the exclusive use of components made decades ago and B) using them in old-school topologies with some interesting twists. Transformers The NE and NX series transformers made by Philips in 1975 were actually never meant to be used in audio environments. However, first experiments quickly revealed they perform like real rock stars, now building the core ingredients forming the unique sound of Phil’s Cascade. There definitively is a lot of iron in this signal path! Tubes Beyond the few tube types which are still available for serial production these days, the rabbit hole of weird, amazing and yes, magic NOS tubes couldn’t be any deeper. All made by Philips a long time ago, the ECC91, EF183 and EF86 are everything but your typical audio tubes and that’s exactly what makes them so valuable, as their special sound signature is plain and simple, unique. Power Hardware rule #1: The heart of any audio device shall be its power supply! The 12 lb. power transformer used for Phil’s Cascade originally comes from vintage Tektronix measuring equipment, surviving the times when even this was based on tubes exclusively. With its many windings and taps, this mothership of a transformer is perfect for a multi tube-driven project. Capacitors Old electrolytic caps can really suck. These, however, are in still in great shape. Made by Roederstein (ROE) way before the company was acquired by Vishay and in a time when even ‘smaller’ capacities came in a considerable footprint. Anyway, this batch of truly beautiful caps offer all the capacity needed for Phil’s Cascade – and then some! Rotary cap What a stunning piece of engineering art! Rotary capacitors like this were used in old tube radios. What a beast for realizing just a single function. The scale is especially stunning on this one, and as a wonderful detail, it is backlit by a small E10 light bulb. After a little bit of modification, this historic piece became the central gain controller and an indicator of Phil’s Cascade. Knobs Phil’s Cascade is controlled by a set of authentic bakelite knobs, made in the US many decades ago. Just a few of the knobs in this batch (a lucky find) were in such great condition, only showing signs of their respective age, but no significant discolourations or cracks. Against the odds, not only two different sizes but also a single On/Off knob were found inside the dusty old box. Light Some icing on the cake. This pilot light is very rare new old stock made around the 1950s. It shines a truly significant shape of light, and it perfectly fits the aesthetics of the exclusive housing designed for Phil’s Cascade. But the wildest aspect about it is the light intensity which can be dimmed down mechanically, until just a super tiny spot in the middle of the lens remains. home.php?mod=space&uid=1&do=blog&id=3138 |
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