NUGEN Audio creates innovative, intuitive professional audio tools for high-end music producers, post-production engineers and broadcasters. Reflecting the real-world production experience of the design team, the company’s products make it easier to deliver better quality, save time and reduce costs. NUGEN Audio’s tools for audio analysis, loudness metering, mixing/mastering and tracking are used by the world’s top names in broadcast, music and audio production.
Contents： NuGen.Audio.ISL.v2.0.0.20 NuGen.Audio.ISL.v2.0.0.20.MacOSX NuGen.Audio.LM-Correct.v2.0.0.24 NuGen.Audio.LM-Correct.v2.0.0.24.MacOSX NuGen.Audio.Monofilter.v4.1.12 NuGen.Audio.Monofilter.v4.1.12.MacOSX NuGen.Audio.MultiMonitor.v1.1.1.6.MacOSX NuGen.Audio.Stereoizer.v3.2.5 NuGen.Audio.Stereoizer.v3.2.5.MacOSX NuGen.Audio.Stereoplacer.v3.1.9 NuGen.Audio.Stereoplacer.v3.1.9.MacOSX NuGen.Audio.VisLM.v2.0.1.18 NuGen.Audio.VisLM.v2.0.1.18.MacOSX NuGen.Audio.Visualizer.v2.0.1.1 NuGen.Audio.Visualizer.v2.0.1.1.MacOSX ISL 2——Real Time True Peak Limiter World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest. Pristine quality true-peak limiting ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you. ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘afclip’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal. Powerful Processing and Visualisations With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation. Applications -Post Production & Broadcast audio -Audio Mastering -Loudness compliance -afclip intersample clip monitoring -Protection for downstream compression -Preserving quality for streaming/podcast -Inter-sample clip management Transparent True Peak Limiting -Adjust adjustable look ahead -Two stage, non-linear adaptive algorithm -Adjustable channel linking -Includes Apple afclip True Peak option Standard compliant -Compatible with ITU-R BS. 1770 -True brick-wall limited output -Mono through 7.1 surround compatible Clear, intuitive operation -Intelligent adaptive algorithm -Clear metering -Multiple diagnostic listen modes Reliable metering -Accurate, standard compliant I/O metering -Precise direct numeric maxima -Adjustable ballistics and colour splits Supported Standards Our loudness products are compatible with all recommendations and guidance based upon the international standard ITU-R B.S. 1770, revisions 1, 2, 3 and 4 including: ATSC A/85 (CALM ACT) EBU R128 EBU R128 S1 ARIB TR-B32 OP-59 AGCOM 219/9/CSP Portaria 354 DPP Available formats We support AAX, VST, VST3, AU and AudioSuite in both 64-bit and 32-bit versions. RTAS is also available as 32-bit only. AAX DSP version supports 7.1 audio up to 48Khz and 4 channels at 96kHz. Minimum System Specification -Mac OSX 10.7.x, 512 MB RAM -Windows (64 bit) Vista or above, 512 MB RAM LM-Correct 2 ——Automatic quick-fix compliance Quick check analysis and correction - one click and you're done. At up to 100x real-time in your NLE/DAW or as a file based application. Save hours and prevent costly mistakes. LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes. Either within your NLE/DAW or as a stand-alone application, LM-Correct delivers automated compliance with True-Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit 'quick-touch' finishing of your audio. It’s an essential part of your loudness toolkit. Automated, faster than real-time For file based-processes (either with the standalone, Avid AudioSuite or Adobe Premiere Pro CC CEP version), LM-Correct rapidly assesses and adjusts the entire file much faster than real time. Automatically handling audio files from mono through 5.1, LM-Correct is compliant with all current loudness standards and if you need it you can specify the optional dialog-gated measure. Automatically re-purpose and re-version LM-Correct dramatically increases efficiency when delivering multiple versions and re-purposing for different regions and play-out specifications. Transform audio from one specification to the next with a single click, faster than real-time, without the need to manually re-purpose time and again in the editor. Peace of mind Our unique look-ahead true-peak limiter also prevents potential compliance failure due to loudness correction. With True-peak, Integrated Program and Short-term Maximum targeting you can be sure your audio is compliant every time. LM-Correct: total control and complete peace of mind in production. Optional DynApt Extension - Powerful dynamics processing with a single click With the introduction of optional dynamic processing extension in-LM-Correct 2, even complex recommendations like EBU R128 S1 can be met with great sounding algorithms, smooth efficiency. Uniquely, the new DynApt extension powered by technology developed for our server-side solutions also allows immediate correction for LRA and dynamics, whilst preserving dialogue intelligibility and correctly identifying and respecting intentional dramatic transitions. LM-Correct 2 delivers unparalleled power with renowned ease of use. Fast, accurate analysis and correction -Single-click solution to loudness conformance -Immediate finishing of audio to loudness standards -Editor based and stand alone operation -Integrated true-peak back-stop limiter -Text file analysis and processing summaries -Optional dialog gated measure Peace of mind -Automated standard compliance -ITU-R BS. 1770 | EBU R128 | CALM Act compliant -Integrated loudness target -Maximum True Peak Level -Short-term and Momentary loudness limiting -Optional DynApt LRA dynamics targeting -'EBU Mode' -Automatic mono through 5.1 compatibility + ASWG 7.1 support -Leq(m) (TASA) measurement Intuitive operation -Clear parameter read out -Simple one-click analysis -Dial in target values directly -One-click correction -Offline faster than real-time advantage Supported Standards Our loudness products are compatible with all recommendations and guidance based upon the international standard ITU-R B.S. 1770, revisions 1, 2, 3 and 4 including: ATSC A/85 (CALM ACT) EBU R128 EBU R128 S1 ARIB TR-B32 OP-59 AGCOM 219/9/CSP Portaria 354 DPP LM-Correct 2 also supports Leq(m) measurement (TASA and SAWA variants) Available formats LM-Correct supports AudioSuite (AAX) in both 64-bit and 32-bit versions. AudioSuite RTAS is also available as 32-bit only. Native Adobe Premiere Pro support is provided via a CEP (Common Extensibility Platform) Panel. LM-Correct is also available as a stand alone application for Windows and OSX Minimum System Specification -Mac OSX 10.7.x, 512 MB RAM -Windows (64 bit) Vista or above, 512 MB RAM Monofilter ——Essential bass management Bring transparent solidity to your bass. Sharpen, define and align for the tightest mix using Monofilter in every track. With presets for every situation and controls for fine tuning to perfection, Monofilter anchors your bass with ease. Trusted by producers the world over, Monofilter grabs hold of your bass and roots it solidly within your mix. With its intuitive controls you can quickly anchor the power, while retaining the essential character and perceived spatial characteristics of the original sound. Monofilter defines the centre of your bass, so easily lost through stereo effects processing, synth sound generation, unwanted phase inconsistencies and live recording mic. bleed. Market-leading features give you really accurate control over stereo spread, transition and phase alignment, with precise visual feedback in a tactile interface that lets you grab the applied stereo envelope and manipulate it directly – without using abstract parameters and knobs. A solid foundation When solid or natural sounding bass is a requirement in your recording projects, Monofilter provides the foundation for real power and definition. The non-directional nature of low frequencies can often contribute to a perceived lack of clarity and focus in the mix. Adding stereo FX processing and using multiple mic. set-ups in the studio can introduce phase inconsistencies leading to ‘weak’, ‘hollow’ or ‘flat’ sounds. Monofilter lets you align and balance low frequencies with the minimum of effort, leaving you with the same sound, yet louder, more focussed and better defined. And with Monofilter you can be sure of great playback performance on systems with separate low-frequency handling, such as club PAs, live rigs, home cinema systems, HiFi, and 2.1 gaming systems. Applications -Bringing definition to weak/hollow/flat bass -Re-centering LF after stereo FX -Correcting phase issues -Sampling/restoring old masters -Taking care for vinyl -Psychoacoustic 'Panning' bass -Making a frequency split -Stereo spectrum analysis Low frequency control -Sharper bass -Anchor low end power -Eliminate weak | hollow | flat bass -Ensure mono compatibility -Master with confidence Avoid problems -Add stereo effects and maintain low end punch -No unwanted artefacts -Optimise for louder solid playback Restoration and correction -Restore old recordings -Fix samples -Fix LF phase issues -High quality audio analysis Available formats We support AAX, VST, AU and AudioSuite in both 64-bit and 32-bit versions. RTAS is also available as 32-bit only. Minimum System Specification -Mac OSX 10.7.x, 512 MB RAM -Windows (64 bit) Vista or above, 512 MB RAM MultiMonitor ——Multi-Channel Loudness Metering MultiMonitor gives you a powerful multi-channel loudness and true-peak monitoring system available as a stand alone product or as the part of the SSL LMS-16 turnkey solution. 16 dedicated real-time meters MultiMonitor provides the most powerful multi-channel loudness and true-peak metering available today. 16 meters, each capable of mono, stereo or 5.1 formats (that’s up to 96 simultaneous audio channels) give you individual True Peak and LUFS momentary displays. Every meter has a dedicated numeric Short Term and Integrated LUFS data display and meters can be colour-coded to aid grouping. Meters also feature a minimum and maximum short-term alerts function. MultiMonitor is fully compliant with CALM Act legislation, ITU-R BS1770/1, ATSC A/85, EBU R128 and other specific worldwide localisations. MultiMonitor is great for monitoring multiple playback sources or audio sub-groups simultaneously with 5.1 and stereo PGM output alongside the console in the audio control room. It’s ideal also in the MCR, monitoring multiple studios and formats simultaneously. Network data & Logging MultiMonitor includes network data reset and loudness value acquisition, facilitating integration into an automated playout system. Additionally individual file based logs can be generated for each meter independently. Applications -Perform station monitoring and historical diagnostic -Manage live broadcast levels rapidly and objectively -Achieve channel loudness consistency -Maintain loudness consistency across channels -Meet recent legislation and adopted standards -Harmonise program content -Consistently balance music/dialog/special effects 16 Dedicated meters -All essential loudness parameters -True-peak metering -Mono, Stereo, 5.1 format -96 individual audio channels -Separate configuration -Group handling -Configurable alert system Flexible solutions -Software only or turnkey hardware solution -OSX or Windows compatible -GPI remote reset -Network meter reset -Network parameter acquisition -Colour-coding and individual meter naming -Monitor Multiple studios and formats simultaneously Turnkey Hardware solution (SSL LMS-16) -1RU PC -15 second boot time -SSL MadiXtreme audio interface -2 x 64 channel fibre connection -GPI connectivity -Optional LCD monitor arm Supported Standards MultiMonitor is compatible with all recommendations and guidance based upon the international standard ITU-R B.S. 1170, revisions 1, 2 and 3 including: ATSC A/85 (CALM ACT) EBU R128 ARIB TR-B32 OP-59 AGCOM 219/9/CSP DPP |
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