We played it with lots of different mallets, sticks, metal rods, fingers and palms, bows and even voices to explore every nuance and hidden musical potential of this instrument. We recorded it both empty and full of water. We even recorded it from the inside out using hydrophones (underwater microphones), while being cooked over open flame and while filled with machine screws. And finally, we created a wide selection of ambient soundscapes, pads, drones, ambiences and atmospheres using the recordings and all manner of creative sound design techniques to take this library to the next level. CONTENTS Bowing (no water) Slow, Medium, Fast FX Bowing sweep (water) Slow, Medium, Fast FX Bowing 2-note legato Bowing Sustain (with and without water) Bowing Staccato Bowing FX grinding w/ tine buzz (with and without water) Bowing FX w/ magnets Bowing FX w/ hydrophone (underwater mic) Bowing FX w/vocals Bowing FX boiling at four different temperature levels Mallet Rubber (6-7 velocity layers – 6 round robin) at +16 tines Mallet Metal (6-7 velocity layers – 6 round robin) at +8 tines Hand Played “Metal Tabla” (10 velocity layers – 10 round robin) bottom and top Wooden Mallet (6-7 velocity layers – 6 round robin) at +20 tines Hydro Mallets (6 round robin) at +20 tines Rubber, Metal and Wooden Mallet Sweeps (Slow, Medium, Fast) Hydro-Vocal drones, phrases and more… Custom ambiences, including patches by Steven Tavaglione (Ambient music on Wall-E, American Beauty and more) Waterharp 2.0 includes automatable Attack, Release, Edge, Filter, Vibrato and Convolution reverb with 30+ custom halls, rooms and special FX impulses. We’ve optimized presets to put each category right at your fingertips, with easy articulation menu loading. We’ve also rolled our Arpeggiator system into every tuned and strike percussion preset, with plenty of mode, sequencing and time signature options. The effects presets now feature dynamic waveform display, with real-time playback and offset cursor. We've also added a new range of deep ambiences, synths and sound-designed atmospheres, all hand-crafted from the original instrument source. Soundiron 水竖琴是一个非常多采样的打击乐和效果乐器库, 捕捉水听器的心脏和灵魂。这个独特的仪器概念最初是由理查德·沃特斯在上世纪 6 0 年代末开发的。水听器--也通常被称为水上竖琴--有各种形状和大小, 但它们通常遵循相同的基本设计: 一个带有空心黄铜水室和长脖子的黄铜容器。房间的顶部装饰着垂直的黄铜刺或酒吧。它是由弹奏, 打击和鞠躬这些尖塔, 共振一起创建黑暗的谐波或不和谐的色调和纹理。这些刺被切割成特定的长度, 并被安排在水听器的身体周围旋转时形成鳞片。将水添加到室内并改变水电话的位置极大地改变了演奏乐器时产生的音高和谐波。水室本身也可以作为打击乐器演奏。总体而言, 水电话可以被认为既是调谐和未调谐的打击乐器, 但最常用的悬念和恐怖配乐和声音设计作为一个戏剧性的音效工具。 我们玩了很多不同的恶意, 棒, 金属棒, 手指和手掌, 弓, 甚至声音, 探索这种乐器的每一个细微差别和隐藏的音乐潜力。我们把它记录得既空又满水。我们甚至使用水听器 (水下麦克风) 从内到外记录它, 同时在明火上煮熟, 同时用机器螺丝填充。最后, 我们创建了一个广泛的选择环境音景, 垫, 无人机, 氛围和氛围使用录音和各种创造性的声音设计技术, 把这个库的一个新的水平。 内容 鞠躬 (无水) 慢速、中、快速外汇 低头扫描 (水) 慢, 中, 快速外汇 鞠躬2音符乐高 鞠躬维持 (有水和无水) 鞠躬的斯塔卡托 鞠躬外汇研磨 w/ttine 嗡嗡声 (有水和没有水) 向外汇 w/磁体低头 鞠躬外汇 w/水听器 (水下麦克风) 鞠躬外汇声音 在四种不同温度水平下鞠躬 FX 沸腾 Mallet 橡胶 (6-7 速层–6圆知更鸟), + 16 tines Mallet 金属 (6-7 速层–6圆知更鸟), + 8 tines 手工播放 "金属平板电脑" (10个速度层–10圆知更鸟) 底部和顶部 木制马列 (6-7 速层–6轮知更鸟), + 20 tines 水电小马 (6 圆知更鸟) 在 + 20 tines 橡胶、金属和木制小马清扫 (慢速、中、快) 水声乐无人机, 短语和更多..。 自定义的氛围, 包括史蒂芬·塔瓦格利翁的补丁 (墙 e 上的环境音乐, 美国美女和更多) 水竖琴2.0 包括自动攻击, 释放, 边缘, 过滤器, Vibrato 和卷积混响与30多个定制大厅, 房间和特殊的外汇冲动。我们优化了预设, 将每个类别放在您的指尖, 轻松的衔接菜单加载。我们还将我们的 Arpeggiator 系统滚动到每一个调谐和打击打击乐预设, 有大量的模式, 排序和时间签名选项。效果预设现在具有动态波形显示, 具有实时播放和偏移光标。我们还添加了一系列全新的深层氛围、合成器和声音设计的氛围, 所有这些都是由原始仪器源手工制作而成的。 |