日本筝二代Impact Soundworks Koto Nation v2.0 KONTAKT

2020-8-18 09:29| 发布者: ajin| 查看: 818| 评论: 0|原作者: ajin

Impact Soundworks Koto Nation v2.0 KONTAKT | 3.26 Gb

最受欢迎的koto，bass koto和shamisen音色库发行，以世界级表演者Masayo Ishigure为特色！ 2个麦克风位置，广泛的动态和RR，FX补丁和广泛的传统和当代表达。我们创造了Koto国家，希望看到传统的日本乐器得到深刻，彻底的抽样处理，就像我们广受好评的北印度样本图书馆Sitar Nation。

虽然有少数图书馆包括koto（日本筝）和shamisen的样本，但它们仅具有最基本的表达方式和很少的（如果有的话）速度或循环。据我们所知，低音koto从来没有被采样！鉴于shakuhachi和taiko在许多西方电影配乐中的普及，我们希望允许电影作曲家，爱好生产者，民族音乐学家，动漫迷和每个人之间访问这些经典乐器，并完成传统日本声音的曲目。

The deepest koto, bass koto and shamisen library ever released, featuring world-class performer Masayo Ishigure! 2 mic positions, extensive dynamics and RRs, FX patches and extensive traditional and contemporary articulations. We created Koto Nation out of a desire to see traditional Japanese instruments receive a deep, thorough sampling treatment, much like our acclaimed North Indian sample library Sitar Nation.

While there are a handful of libraries which include samples of the koto and shamisen, they feature only the most basic articulations and few (if any) velocities or round robins. To our knowledge, the bass koto has never been sampled at all! Given the popularity of the shakuhachi and taiko in many Western film soundtracks, we wanted to allow film composers, hobbyist producers, ethnomusicologists, anime fans and everyone in between access to these classic instruments and complete the repertoire of traditional Japanese sounds available.

This library includes a massive number of samples spanning a wide variety of both traditional and extended playing techniques all recorded by koto legend Masayo Ishigure (Memoirs of a Geisha). This includes close and stereo room mic positions! A total of 25 main patches spread among the three instruments cover all crucial playing techniques, such as sustained picks with a plectrum, pizzicato, octaves, glissandi of multiple types and speeds, vibrato, tremolo, mordents (pitch bends), and mutes, as well as extended techniques such as atonal glissandi, finger scrapes, string hits and hard plucks.

Multiple dynamic and round robin layers were recorded for each articulation, as well as variations in speed or tonality where appropriate; for example, the koto tremolo can be played at two main speeds (with fine speed control), mordents can be set to whole-tone or half-tone, glissandi can be played slow, fast and in ascending, descending or mixed order, and so on. This incredible depth of sampling allows for unparalleled realism, allowing the instruments to stand alone in a solo context as well as in a larger composition.

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