复古弦乐 Funk Soul Productions Vintage Strings KONTAKT

Vintage Strings is a virtual instrument for Kontakt 5 designed to emulate the classic violin string section sounds of R&B, Soul, and Funk records from the 1960’s and 1970’s. Whether you’re an experienced arranger or casual producer, Vintage Strings was designed to make it quick and easy for you to create great sounding string tracks for your productions. Like its sister product, Vintage Horns, Vintage Strings was not designed to be a shiny, perfect sounding virtual instrument. Instead, we tried to capture the way string sections sounded back in the ’60s and ’70s; including the decidedly not classical playing style and minor imperfections that added character to those sections and made them sound so good.

For Vintage Strings we recorded a 6 piece violin section using vintage Neuman U-87 mics and Royer ribbon mics run through a great sounding SSL board. To capture a true vintage string sound, we used close mics, room mics, and string section positioning based on actual session notes from old Motown and Philly Soul recording sessions. Rather than record the violins in a magnificent concert hall or some other large and resonant recording space, we recorded our players in a funky old studio with a smaller, less-reverberant room that had characteristics similar to the rooms used to record classic Soul and R&B records. Using the tracks we recorded in this space, we then created three types of sections:

2 VIOLINS:

The 2VLN patches are very useful for creating the sound of smaller string sections. Even if played in 3-part harmony, these patches sound like a 6 piece section, rather than a full orchestral string section. The 2VLN patches take up a lot less sonic space in the mix, and also have the advantage of sounding like the smaller types of string sections used on a lot of old Soul and R&B records, which didn’t have the time or budget to record a larger section.

6 VIOLINS:

The 6VLN patches are great for recording unison (1 part) lines that emulate the sound of a true 6 violin section, which was very commonly used in many old Soul recordings. When used for 2-part harmonies or octaves these patches can be used to replicate the sound of an overdubbed 6 violin section (i.e., a faux 12 violin section), which was a very common recording technique used on many Motown recording sessions.

12 VIOLINS:

The 12VLN patches are very useful for creating unison (1 part) string lines that sound like an overdubbed 6 violin section. If you want to get a bigger sound with the size of a larger orchestral string section, without the color and character present in a large recroding hall or symphonic space, use the patches for string parts in 2 or 3 part harmonies.

The result is a virtual instrument that has a sound and character that is distinctly different from orchestral based sampled string libraries. The sound of Vintage Strings is intentionally not big, rich, and glossy. It’s a smaller, more intimate, and more “human” sound, which more accurately emulates the string sound on those classic old records.

FAST AND EASY STRING SECTION PARTS USING PRE-SET PATCHES

If you don’t have a lot experience writing for strings, or even if you’re an experienced string-arranger on a tight deadline, Vintage Strings also offers a number of pre-programmed instrument patches that can help you quickly create great sounding string parts. These include the Tonal Harmonization Patches, which contain 2 part, 3 part, and 4 part patches for 2, 6, and 12 violins. Playing with just one finger on your keyboard you can easily write string lines in 2 parts (intervals), 3 parts (triads), or 4 parts (seventh chords). Secondly, the Tonal Harmonization patches include Fixed Chord & Interval Patches containing 2 part, 3 part, and 4 part Chord Patches, for 2, 6, and 12 violins. These patches are programmed to play a specific interval or chord according to the type of patch in 12 different keys.

THE VINTAGE STRINGS GUI

The Vintage Strings graphical user interface (GUI) is very simple and easy to use. The main page of the interface includes control over tape saturation, high EQ, and reverb with 15 custom selected convolution reverbs.

FEATURES:

3 group sizes: 2, 6, and 12 players

Recorded with the highest quality vintage outboard gear

11 articulations

Auto harmonization feature for impressively quick arranging

Hand selected IR options available for the convolution reverb

5.1GB (uncompressed)

Kontakt Player 5 included

 

COMPLETE PATCH LIST:

2-Violin Patches:

2VLN CHR = long articulations as the default, with key-switches for staccato, swells,

major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.

Single Articulation Patches:

2VLN CHR Sustain + Staccato

2VLN CHR Swells

2VLN CHR Fall-Offs

2VLN CHR Tremolo

2VLN CHR Harmonics

2VLN CHR Pizzicato

Fixed Harmonized Patches:

2VLN FXD 2-Part Major 3rds

2VLN FXD 2-Part Octaves

2VLN FXD 2-Part Minor 3rds

2VLN FXD 3-Part Major Triad

2VLN FXD 3-Part Minor Triad

2VLN FXD 3-Part Diminished Triad

2VLN FXD 3-Part Sus 4 Chord

2VLN FXD 4-Part Major 7th Chord

2VLN FXD 4-Part Minor 7th Chord

2VLN FXD 4-Part Dominant 7th Chord

2VLN FXD 5-Part Major 9th Chord

2VLN FXD 5-Part Minor 9th Chord

2VLN FXD 5-Part Dominant 9th Chord

2VLN FXD 5-Part Dominant 7th #9 Chord

 

Tonal Harmonized Patches:

2VLN TNL 2-Part 3rds

2VLN TNL 3-Part Triad

2VLN TNL 4-Part 7th Chord

2VLN TNL 5-Part 9th Chord

 

6-Violin Patches

6VLN CHR = long articulations as the default, with key-switch layers for staccato, swells,

major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.

Single Articulation Patches:

6VLN CHR Sustain + Staccato

6VLN CHR Swells

6VLN CHR Major Runs Up

6VLN CHR Major Runs Down

6VLN CHR Minor Runs Up

6VLN CHR Minor Runs Down

6VLN CHR Fall-Offs

6VLN CHR Tremolo

6VLN CHR Harmonics

6VLN CHR Pizzicato

 

Fixed Harmonized Patches:

6VLN FXD 2-Part Major 3rds

6VLN FXD 2-Part Minor 3rds

6VLN FXD 2-Part Octaves

6VLN FXD 3-Part Major Triad

6VLN FXD 3-Part Minor Triad

6VLN FXD 3-Part Diminished Triad

6VLN FXD 3-Part Sus 4 Chord

6VLN FXD 4-Part Major 7th Chord

6VLN FXD 4-Part Minor 7th Chord

6VLN FXD 4-Part Dominant 7th Chord

6VLN FXD 5-Part Major 9th Chord

6VLN FXD 5-Part Minor 9th Chord

6VLN FXD 5-Part Dominant 9th Chord

6VLN FXD 5-Part Dominant 7th #9 Chord

 

Tonal Harmonized Patches:

6VLN TNL 2-Part 3rds

6VLN TNL 3-Part Triad

6VLN TNL 4-Part 7th Chord

6VLN TNL 5-Part 9th Chord

12-Violin Patches

12VLN CHR = long articulations as the default, with key-switch layers for staccato, swells,

major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.

Single Articulation Patches:

12VLN CHR Sustain + Staccato

12VLN CHR Swells

12VLN CHR Major Runs Up

12VLN CHR Major Runs Down

12VLN CHR Minor Runs Up

12VLN CHR Minor Runs Down

12VLN CHR Fall-Offs

12VLN CHR Tremolo

12VLN CHR Harmonics

12VLN CHR Pizzicato

 

Fixed Harmonized Patches:

12VLN FXD 2-Part Major 3rds

12VLN FXD 2-Part Minor 3rds

12VLN FXD 2-Part Octaves

12VLN FXD 3-Part Major Triad

12VLN FXD 3-Part Minor Triad

12VLN FXD 3-Part Diminished Triad

12VLN FXD 3-Part Sus 4 Chord

12VLN FXD 4-Part Major 7th Chord

12VLN FXD 4-Part Minor 7th Chord

12VLN FXD 4-Part Dominant 7th Chord

12VLN FXD 5-Part Major 9th Chord

12VLN FXD 5-Part Minor 9th Chord

12VLN FXD 5-Part Dominant 9th Chord

12VLN FXD 5-Part Dominant 7th #9 Chord

 

Tonal Harmonized Patches:

12VLN TNL 2-Part 3rds

12VLN TNL 3-Part Triad

12VLN TNL 4-Part 7th Chord

12VLN TNL 5-Part 9th Chord