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频谱均衡器 HoRNet ThirtyOne v1.2.4 WiN OSX

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发表于 2018-12-10 15:35:00 | 显示全部楼层 |阅读模式
系统要求:PC/MAC
软件格式:VST/VST3/AAX/AU x86 x64
大小:8.25 mb
时间:2018年11月25日
thirty-one-screenshot-1.2.0.png
Thirty one is a single package that includes a spectrum analyzer and a graphic equalizer, both has the standard 31 one third octave bands.

This pair of tools is very common in every rack of any live mixer as the final tool in the master bus, for this reason we decided to recreate the behaviour and specific time response of a very common Italian analog spectrum analyzer.

The equalizer is also inspired by analog units allowing ThirtyOne to recreate that master chain feeling that you are used to.

We put a great care in recreating the smooth lighting of LEDs driven by a smoothly increasing current flow, each column of twelve LEDs comes after a 20dB/octave filter (like the original hardware unit) and it’s response speed is selectable between 0.25, 1 or 4 seconds allowing you to see both fast peaks and average frequency level.

Each of the LED of the bar can have a value of 1, 2 or 3 dBs (like in the original hardware unit) and we also added 6dB/LED option, when changing the resolution the scale on the left of the LED display updates accordingly.

We also added a maximum peak hold LED for each frequency band that can be enabled or disabled that the original unit did not have.

Hovering the mouse on each of the analyzer band will let you know the band frequency and the maximum peak recorded for the specific band.

Right below the spectrum analyzer we have put the 31 sliders that will let you shape the output and fix any particular resonance. Each of the sliders drives a standard 1/3 octave second order filter and can be adjusted from -15 to +15 dB, you can also change the value for each band typing in the box below each slider.

The equalizer has a very special feature called the “Auto EQ”, when enabled (both in static and continuous mode) the output of the spectrum analyzer is used to tune the gain for each of the EQ band allowing the equalizer to automatic set itself so that the maximum harmonic balance is achieved, removing frequency masking and improving mix clarity.

Internally the “Auto EQ” algorithm compares the average peak level of the frequency bands with each of the bands and computes the necessary gain to apply to the EQ to bring the level of that specific band to match with the one of a carefully designed ideal response. This sounds complicated but it’s actually very effective in automatically balancing the frequency content of the mix.

You can choose between two different modes for the “Auto EQ”, the static and the continuous one.

The first takes in consideration only the maximum peak of each band so that you have an EQ curve valid from the beginning to the end of the mix, this mode is very useful in mastering a single track as it gives a “static” EQ correction curve.

The second algorithm is more complex and continuously look at the level of each frequency band and consequently updates the equalizer to reduce masking and keep the track balanced in ever single moment. If you use the plugin with this mode inside a broadcasting chain you can always guarantee a constant frequency optimized output even if the content of your audio changes a lot.

“Auto EQ” is linked to the frequency analyzer output so changing the analysis speed affects the algorithm, using the 0.25s changes the equalization very fast and allows you to track also the fast frequency spikes, while using the 4s setting works more on the average frequency content.

31是包括频谱分析器和图形均衡器的单个包,两者都具有标准的31个三分之一倍频带。

这对工具在任何带电混合器的每个机架中都非常常见,作为主总线中的最终工具,因此我们决定重新创建非常常见的意大利模拟频谱分析器的行为和特定时间响应。

均衡器还受到模拟单元的启发,允许ThirtyOne重新创建您习惯的主链感觉。

我们非常小心地重新创建由平滑增加的电流驱动的LED的平滑照明,十二个LED的每一列都经过20dB/倍频程滤波器(像原始硬件单元),它的响应速度可以在0.25、1或4秒之间选择,允许您看到两个fa。T峰和平均频率水平。

条形图中的每个LED的值可以是1、2或3dB(像在原始硬件单元中一样),并且我们还添加了6dB/LED选项,当改变分辨率时,LED显示器左边的刻度相应地更新。

我们还为每个频带添加了最大峰值保持LED,这些频带可以启用或禁用,而原始单元没有启用或禁用。

将鼠标悬停在每个分析器频带上,将让您知道频带频率和特定频带记录的最大峰值。

在频谱分析仪的正下方,我们放置了31个滑块,可以让你调整输出并固定任何特定的共振。每个滑块驱动一个标准的1/3倍频程二阶滤波器,并且可以从-15调整到+15dB,您也可以改变每个滑块下面的方框中每个频带键入的值。

该均衡器具有称为“自动均衡器”的非常特殊的特性,当启用(静态和连续模式)时,频谱分析器的输出用于调谐每个EQ频带的增益,从而允许均衡器自动设置自身,从而实现最大谐波平衡,消除频率掩蔽,提高混合清晰度。

在内部,“自动EQ”算法将频带的平均峰值电平与每个频带进行比较,并计算应用于EQ的必要增益,以使特定频带的电平与精心设计的理想响应中的电平匹配。这听起来很复杂,但实际上对于自动平衡混音的频率内容非常有效。

你可以在两种不同的模式中选择“自动EQ”,静态模式和连续模式。

第一种模式只考虑每个波段的最大峰值,因此从混音开始到结束都具有有效的EQ曲线,这种模式对于掌握单个音轨非常有用,因为它给出了“静态”EQ校正曲线。

第二种算法更复杂,并且不断查看每个频带的电平,因此更新均衡器以减少掩蔽,并在任何单个时刻保持轨道平衡。如果在广播链中使用该模式的插件,即使音频内容变化很大,也可以保证恒定频率优化输出。

“自动EQ”链接到频率分析仪输出,因此改变分析速度影响算法,使用0.25s改变均衡非常快,并且允许您跟踪快速频率尖峰,而使用4S设置更多地工作在平均频率内容上。
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发表于 2018-12-11 18:50:58 | 显示全部楼层
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发表于 2019-7-11 09:24:58 | 显示全部楼层
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